Ribbons and Bows: SATB Choral Octavo
Words and music by Kacey Musgraves, Justin Tranter, and Julia Michaels / arr. Jack Zaino
Item: 00-PO-0007048
Minimum order quantity: 20 copies
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More about this title
About the Composer: Kacey Musgraves
Kacey Musgraves is a Grammy-winning singer-songwriter whose work spans country, pop, and alternative music. Her songwriting emphasizes emotional authenticity and clever wordplay, often examining relationships and personal growth with both humor and depth. In the classroom and concert hall, her music brings contemporary relevance to choral programs while maintaining strong melodic and harmonic foundations.
Musgraves has collaborated extensively with top-tier songwriters including Justin Tranter and Julia Michaels, whose fingerprints appear across her most successful releases. Her holiday compositions capture the warmth and humor of her songwriting voice, making them accessible entry points for choirs exploring modern pop repertoire.
Why we love this
Jack Zaino's arrangement takes a contemporary radio hit and transforms it into a genuine choral showcase without sacrificing the song's infectious groove. The retro production aesthetic gives December concerts permission to be fun and stylish, and the optional instrumentation (saxophone, rhythm section) lets you scale the arrangement to fit your resources and venue.
What to expect
Upbeat and playful, with a retro sheen that feels nostalgic without being campy. The bright vocal writing and groove-oriented accompaniment create an infectious, modern-meets-vintage energy that radiates warmth and celebration.
Who it's for
SATB choirs at the high school and adult community levels who want to program something contemporary, feel-good, and genuinely singable for December concerts. This works equally well in a secular holiday context or as a pop-inflected alternative to traditional festive fare. Directors looking to showcase strong singers in a fun, accessible arrangement will find solid material here.
How to get the most out of it
- Nail the rhythmic precision of the rhythm section parts. This groove lives in tight pocket playing, so lock the kick drum and bass line early in rehearsal and build the vocal lines on top of that foundation.
- Balance the saxophone feature thoughtfully. The optional horn part should sit underneath the ensemble, not over it; this keeps the singers as the primary focus while the sax adds color and sophistication.
- Lean into the retro production quality. Encourage singers to think about the style as deliberately vintage, not accidentally dated. Slight swing in the rhythm and bright, forward vowels in the upper register will sell the vibe.
- Use the recorded accompaniment to lock tempos and ensemble balance before running full rehearsals. The click and arrangement demo will anchor singers faster than piano alone.
How to use it
Program this as an opener or palate cleanser between heavier choral fare. Its optimistic, high-energy character works beautifully in a set that mixes holiday traditions with contemporary pop; it also stands alone as a confident closer for holiday pops concerts. The optional instrumental parts make it flexible for venues where you can feature soloists or keep it voice-only if needed.
Skills your students will build
- Rhythmic precision in syncopated pop and groove-based writing
- Balancing ensemble blend while maintaining defined section clarity
- Stylistic interpretation of contemporary production aesthetics
- Secure major key harmonic progressions with jazz-influenced color chords
- Communication and musicality when singing over a recorded accompaniment