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Rhythms of One World: Choral SoundPax

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Rhythms of One World Cover Image

Rhythms of One World: Choral SoundPax

Words and music by Gary Fry

Item: 00-39881

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Description
Invite your audience to clap and sing along with the signature phrase of this exciting world-rock feature! Complete with a "circle song" add-on in the middle. Check out the energy-charged SoundTrax CD or our rock combo SoundPax. Featured on "Reaching for the Stars" choral movement DVD 00-39928. Check this out! https://leapingbrain.com/modshop/product/?shop=9&product=5691

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Rhythms of One World: Choral SoundPax comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 20
UPC: 038081445427
SKU: 00-39881

More about this title

About the Composer: Gary Fry

Gary Fry

Gary Fry has built a career across commercial, orchestral, and educational music that few composers achieve. An Emmy Award winner, he has served as composer and arranger for the Chicago Symphony Orchestra and Chorus's Welcome Yule! Christmas concerts for 17 years and has written nearly one hundred works for major American orchestras including Dallas, Colorado, Boston, and Philadelphia. His output spans film, television, theater, ballet, and thousands of broadcast commercials for national brands.

Beyond the concert hall, Fry has dedicated significant energy to music education and young composers. He has taught at the University of Miami, Northwestern University, and Midwest Young Artists, and holds the position of artistic director and composer-in-residence for the Rhythms of One World multi-national choral festival at the United Nations in New York. His choral commissions include work from the Chicago Symphony Singers, the Colorado Children's Chorale, the Cincinnati Children's Choir, and the University of Southern California, cementing his standing as a voice for accessible, engaging music in educational settings.

Why we love this

Fry understands what ignites a choral performance: built-in audience participation, propulsive rhythm, and a structural surprise that keeps singers and listeners engaged. The world-rock idiom and circle-song insert give your choir multiple moments to shine, and the staging elements transform what could be a straightforward feature into a full theatrical experience.

What to expect

Exuberant and rhythmically alive, with the infectious appeal of a world-rock groove that draws listeners into the song's orbit. The circle-song section opens up a moment of genuine ensemble play, a shift from the driving energy that pulls everything forward with infectious momentum.

Who it's for

Choirs seeking a feature that energizes both singers and audience; groups comfortable with world-rock grooves and movement; directors programming events where engagement and joy matter as much as technical polish.

How to get the most out of it

  • Commit fully to the rhythmic drive in the signature phrase so the audience feels invited to clap along rather than merely permitted to join in.
  • Balance the circle song's texture carefully during the middle section; clarity of the add-on line matters more than blending it away.
  • Use the recorded accompaniment to lock the groove and build ensemble confidence before rehearsing without it.
  • Rehearse the staging and movement cues early so they feel organic by performance night, not like an afterthought.

How to use it

This works exceptionally well as a second-act opener or closer, especially in mixed-repertoire concerts where you want to reset the room's energy and erase the boundary between choir and audience. It also fits naturally into world-music themed concerts or any program celebrating cultural fusion in contemporary choral writing.

Skills your students will build

  • Rhythmic precision in world-rock idiom and groove maintenance
  • Audience engagement and performance awareness
  • Circle-song part independence and vocal line clarity
  • Movement integration with ensemble singing
  • Stylistic contrast between driving rhythmic sections and the middle section

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