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Rhythm Rappin' Rock: Concert Band Conductor Score

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Rhythm Rappin' Rock Cover Image

Rhythm Rappin' Rock: Concert Band Conductor Score

By Kevin Mixon

Grade: 1.5 (Very Easy to Easy)

Item: 00-24708S

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Description
Finally, a rap/rock piece with real educational value! Consistent with many established approaches, students will learn new sixteenth-note rhythms typically introduced in the first or second year of instruction through "rap" (speech rhythms), which will ensure accuracy when played on instruments later. There are also plenty of fun licks to play on instruments using easier rhythms (nothing harder than eighth notes). This one is such great fun that students will hardly know they're learning!

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Additional Details
Series: Belwin Beginning Band
Publisher: Alfred Music
Page Count: 16
UPC: 038081268606
SKU: 00-24708S

More about this title

About the Composer: Kevin Mixon

Kevin Mixon

Kevin Mixon brings decades of experience in instrumental music education to his compositional work. A faculty member at Blodgett K-8 School in Syracuse City Schools, New York, he has shaped curriculum and pedagogy across diverse learning environments. His research and writing on inclusive music teaching, multicultural repertoire, and alternative rehearsal methods have appeared in Music Educators Journal, Teaching Music, The Instrumentalist, and The National Band Association Journal. He is also the author of Reaching and Teaching All Instrumental Music Students and co-author of Teaching Music in the Urban Classroom.

Mixon's credentials include degrees summa cum laude from Onondaga Community College, Syracuse University, and the University of Illinois (Urbana-Champaign), along with a Certificate of Advanced Studies in Educational Leadership. He presents clinics internationally at ISME conventions, the Midwest International Band and Orchestra Clinic, and state and regional music conferences, where he addresses urban and rural music education, special learners, curriculum integration, and percussion pedagogy. His compositions and arrangements for band and orchestra reflect his commitment to making music education accessible and engaging.

Why we love this

Mixon understands what first and second-year students actually need: a piece that builds rhythmic literacy without sacrificing fun. The approach of introducing sixteenth-note patterns through spoken rap ensures students internalize the rhythm before they attempt it on their instruments, which dramatically reduces intonation and precision problems during rehearsal. The instrumental licks that follow are genuinely enjoyable to play, which means students stay motivated to nail the technical work.

What to expect

High-energy and contemporary, with the confidence of a real rock groove underscoring clever rhythmic work. The rap section delivers genuine style and swag while the instrumental passages give students straightforward, satisfying parts to lock together. It sounds professional and modern without demanding advanced technical chops.

Who it's for

First and second-year concert band students who are ready for rhythmic sophistication but still building fundamental technique. Directors looking for repertoire that connects to student interests (hip-hop, rap, rock) while meeting core pedagogical goals will find this particularly valuable.

How to get the most out of it

  • Establish the rap section with crisp articulation and clear diction before adding any instrumental accompaniment. Run it as a pure ensemble piece first so every student locks into the pulse together.
  • Have students clap or tap the sixteenth-note patterns while speaking them. This kinesthetic reinforcement makes the transition to instruments feel natural rather than sudden.
  • Balance the rap section dynamically so ensemble figures underneath it don't muddy the speech rhythms. The voice is the focus here.
  • Let the rock groove breathe. Younger ensembles often rush when they're excited, so anchoring the rhythm section early in rehearsal pays off significantly.

How to use it

Program this as a concert highlight that appeals equally to young musicians and audiences unfamiliar with school bands. It works beautifully on a mixed-repertoire concert with traditional literature or as a standalone feature piece for pep rallies, community events, or recruitment concerts. The pedagogical payoff makes it equally valuable for an educational mini-concert where you want to spotlight rhythmic growth.

Skills your students will build

  • Reading and executing sixteenth-note rhythms in various metric contexts
  • Maintaining ensemble precision when rhythm section and melodic parts interact
  • Spoken rhythm accuracy that transfers directly to instrumental performance
  • Rock/contemporary groove feel and stylistic interpretation
  • Ensemble communication through non-traditional musical language (rap/speech)

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