Rhythm of the Rain Cover Image

Rhythm of the Rain: Intermediate/Late Intermediate Piano Sheet

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Rhythm of the Rain Cover Image

Rhythm of the Rain: Intermediate/Late Intermediate Piano Sheet

By Kevin Olson

Item: 98-W9443

$4.95
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Description
Kevin Olson’s modern impressionistic style and coloristic use of the pedal is in full force in this piece. A student with a small hand can play this despite the late-intermediate level. A five-note motive adds cohesion to the piece. This piece is on the repertoire list for Nebraska’s Summer Olympics.

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Additional Details
Series: Written For You
Publisher: The FJH Music Company, Inc.
UPC: 241444373002
SKU: 98-W9443

More about this title

About the Composer: Kevin Olson

Kevin Olson has established himself as a composer particularly attuned to the pedagogical needs of developing pianists. His work balances technical accessibility with genuine musical substance, avoiding the condescension that can plague educational repertoire.

Olson's coloristic approach to the instrument, especially his sophisticated use of the pedal, brings impressionistic sensibilities into pieces designed for intermediate students. His inclusion on competitive festival lists like Nebraska's Summer Olympics reflects the respect his writing commands among music educators.

Why we love this

Olson refuses to compromise either the compositional voice or the student's hand size, creating a piece that sounds far more advanced than its technical demands suggest. The five-note motive threading through the work teaches students how small musical ideas generate coherence without requiring passage work that demands a stretch.

What to expect

Rain creates shifting patterns of light and shadow on a still surface. The piece captures that restless calm, moments of gentle motion interrupted by pauses where sound hangs in the air through sustained pedal. It's atmospheric without being vague, impressionistic without asking students to play beyond their physical reach.

Who it's for

Intermediate to late-intermediate pianists ready for impressionistic language and coloristic pedal work without the hand span requirements that typically accompany this style. Students preparing for summer festivals and competitions will find this on competitive repertoire lists, making it especially valuable for those aiming toward state or national events.

How to get the most out of it

  • Study the pedal markings before worrying about the notes; the colors Olson specifies are structural here, not decorative.
  • Identify where the five-note motive appears in its various forms and let those anchor points guide your phrasing choices.
  • Resist the urge to rush the impressionistic moments; the piece breathes through stillness as much as motion.
  • Listen for how the motive transforms across registers; these transformations reveal the emotional arc.

How to use it

Include this on a recital that explores water imagery across genres, pairing it with impressionistic songs or orchestral arrangements. It also serves as an intelligent choice for a competition or festival program where judges expect to hear students stretching into new stylistic territory.

Skills your students will build

  • Pedal control and color differentiation
  • Recognition and development of small motivic cells
  • Impressionistic harmony and voice leading
  • Maintaining evenness across hand position changes despite harmonic movement
  • Phrasing without relying on traditional melody-accompaniment textures

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