Rhythm Is Gonna Get You: 1st Synthesizer Sheet Music Preview

Rhythm Is Gonna Get You: 1st Synthesizer

Words and music by Gloria Estefan and Enrique Garcia / arr. Eric Van Cleave

Item: 00-PC-0017772_SYN1

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Description
Gloria Estefan and the Miami Sound Machine landed on the charts in 1987 with this pop classic. The rhythm, melody, harmony, and hot instrumentation are all gonna get you in this high-energy arrangement that's perfect for show choirs.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Rhythm Is Gonna Get You: 1st Synthesizer comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 26
SKU: 00-PC-0017772_SYN1
Instrumentation: SoundPax

More about this title

About the Composer: Gloria Estefan

Gloria Estefan rose to prominence as the lead singer and primary lyricist of the Miami Sound Machine, a band that helped bring Latin rhythms and bilingual songwriting into mainstream pop radio. Her compositions and arrangements became synonymous with infectious grooves and crossover appeal, establishing her as a composer who could write hooks that stuck with audiences across genres and languages. Beyond her work as a performer, Estefan composed and co-wrote many of the band's biggest hits, demonstrating a gift for melody and an instinct for what makes a song move both the body and the ear.

Why we love this

This arrangement captures everything that made the original a radio staple without losing the infectious energy that made audiences move. Eric VanCleave has crafted a vocal score that's genuinely fun to teach and sing—the kind of music that builds rehearsal momentum and reminds singers why they love being in a choir. The SoundPax format makes it accessible for groups that want to add a contemporary pop fixture to their concert without complex instrumental dependencies.

What to expect

Upbeat and propulsive, with the kind of driving rhythm that makes it nearly impossible to sit still. The arrangement layers harmony and texture over an undeniable groove, creating a sense of forward motion that feels celebratory and modern while honoring the original's Latin-influenced sonic DNA.

Who it's for

Show choirs and high school or college ensembles comfortable with contemporary repertoire and pop idioms. This is ideal for groups with strong rhythm sections and singers who thrive on the energy of a well-known tune that audiences will recognize and enjoy.

How to get the most out of it

  • Lock in the groove from the first rehearsal. This song lives or dies by rhythmic precision, so spend time isolating the syncopated rhythmic figures before layering in the melodies.
  • Use the recorded accompaniment strategically during rehearsals to build confidence, then gradually pull it back so singers internalise the pocket without depending on it for performance.
  • Shape the energy dynamically across the arrangement rather than singing at one volume throughout. The contrast between verses and the driving choruses is what makes the song feel alive.
  • Pay attention to articulation and vowel consistency in the faster sections. Clear diction at tempo is what separates a polished pop arrangement from one that feels muddy.

How to use it

Place this in a show choir or contemporary music set where it can sit alongside other pop and R&B standards. It's particularly effective as a penultimate piece that builds energy before a final number, or as an opener that immediately establishes the tone of your concert as contemporary and engaging.

Skills your students will build

  • Singing with rhythmic precision in syncopated patterns
  • Maintaining steady groove and pocket within a pop idiom
  • Balancing independent vocal lines over a driving rhythmic foundation
  • Performing with stylistically appropriate diction and articulation in contemporary music

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