Rhythm Is Gonna Get You Sheet Music Preview

Rhythm Is Gonna Get You: SATB Choral Octavo

Words and music by Gloria Estefan and Enrique Garcia / arr. Eric Van Cleave

Item: 00-PO-0003764

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Description
Gloria Estefan and the Miami Sound Machine landed on the charts in 1987 with this pop classic. The rhythm, melody, harmony, and hot instrumentation are all gonna get you in this high-energy arrangement that's perfect for show choirs.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 16
SKU: 00-PO-0003764

More about this title

About the Composer: Gloria Estefan

Gloria Estefan emerged as one of the most successful Latin pop artists of the 1980s, bringing infectious rhythms and cross-cultural appeal to mainstream audiences. Her work with the Miami Sound Machine transformed pop music by seamlessly blending Latin percussion and instrumentation with contemporary songwriting, creating a signature sound that influenced generations of musicians and producers.

Estefan's compositions and performances earned her induction into the Grammy Hall of Fame and cemented her status as a cultural ambassador for Latin music. Her ability to craft memorable melodies alongside driving rhythmic foundations makes her work particularly valuable for choral educators seeking to engage singers with contemporary, energetic repertoire that reflects cultural diversity.

Why we love this

Eric VanCleave's arrangement captures everything that made the original recording a chart-topper while crafting a vocal texture that sits naturally for SATB singers. The arrangement respects the harmonic sophistication and rhythmic vitality of the source material, giving your ensemble a genuine pop hit rather than a simplified novelty piece. For show choirs and competitive programs, this is the kind of song that delivers crowd energy while remaining musically substantive.

What to expect

Propulsive and joyful, with an irresistible rhythmic groove that invites movement and body awareness from your singers. The arrangement maintains the original's infectious energy while building harmonic complexity that rewards careful listening. This is music designed to make both performers and audiences feel the beat together.

Who it's for

Show choirs, competitive show choir programs, and community choirs looking for contemporary pop literature with serious arrangement credentials will find immediate use for this octavo. High school and college programs seeking to balance popular repertoire with musical substance will appreciate both the accessibility and the craft. Singers in these ensembles gain exposure to Latin-influenced rhythmic writing and authentic pop song structure.

How to get the most out of it

  • Keep the rhythmic drive consistent between your vocal parts and any instrumental accompaniment; the recorded track will expose any hesitation in your section entrances or pulse.
  • Layer the melody and harmony strategically so leads cut through without the background parts disappearing; this style demands presence from every voice.
  • Lock your soloists (if any) with the recorded accompaniment during rehearsals before integrating them with the full choir; timing here makes or breaks the chart's energy.
  • Shape the phrasing around natural speech rhythms in the text rather than over-emphasizing every eighth note; the arrangement's effectiveness relies on conversational ease over mechanical precision.

How to use it

Program this in a concert section celebrating pop and contemporary music, where it can energize an audience and provide contrast to art song or classical repertoire. It works equally well as a show choir feature or as part of a thematic program exploring rhythm-driven music across cultures. The 16-page format and recorded accompaniment make it practical for mid-year performances or spring show programming.

Skills your students will build

  • Rhythmic precision in syncopated pop rhythms and Latin-influenced patterns
  • Balancing melodic clarity with harmonic texture in contemporary vocal writing
  • Interpreting text with stylistic authenticity in a non-classical idiom
  • Ensemble cohesion while maintaining individual part independence
  • Responding to recorded accompaniment with precise entrances and phrasing

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