Reverie for Bonita Cover Image

Reverie for Bonita: Concert Band Conductor Score & Parts

$55.00 USD
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Reverie for Bonita Cover Image

Reverie for Bonita: Concert Band Conductor Score & Parts

By Kenneth Bray

Grade: 3

Item: 81-CB9810

$55.00
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Description
A lush and beautiful work composed by Kenneth Bray for his daughter, Reverie for Bonita features the horn section, colourful use of mutes and simple, elegant themes. Showing off the lyrical side of the band, this work is an ideal "mood change" on a concert.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-55472-822-3
ISBN13: 978-1-55472-822-0
UPC: 685462004836
SKU: 81-CB9810

More about this title

Why we love this

Kenneth Bray writes with genuine affection for the concert band idiom, and this piece proves it. The horn writing is idiomatic and lyrical without being showy, and the mute colors create exactly the kind of textural variety that keeps an audience engaged during a longer concert. You get a work that sounds more sophisticated than its Grade 3 difficulty suggests, making it a smart choice for building your ensemble's confidence in expressive playing.

What to expect

Reverie for Bonita settles into a quiet, introspective mood that feels personal and intimate. The horn section glows beneath muted accompaniment, creating a sense of contemplation and warmth that stands apart from more energetic concert band repertoire.

Who it's for

Concert band directors at the middle school and early high school level will find this piece immediately accessible. Your band needs a strong melody-focused work that sounds refined without technical complexity, and players of varying ability will all find something meaningful to do.

How to get the most out of it

  • Balance the horn section carefully so the lyrical themes sing through without overwhelming the rest of the band. This piece lives and dies by line clarity.
  • Experiment with entrance timing on the muted passages. The mutes should feel like they're shifting the mood, not just adding sound; a slight ritardando before a muted section can help the audience hear the color change.
  • Shape the simple, elegant themes with long-line phrasing rather than breaking them into small gestures. Let the melody breathe across full phrases to honor Bray's writing intent.
  • Use the conductor score to map out which instrumental families carry the primary line in each section. This clarifies the hierarchy and helps your ensemble lock into the proper balance.

How to use it

Place this on a concert where you want to shift the emotional temperature after a faster opener or a march. The reflective quality makes it ideal for a program section that showcases the band's lyrical maturity, and the moderate length works well as a palate cleanser before building back to something more driving.

Skills your students will build

  • Balancing multiple melodic voices within a section
  • Playing expressively with mutes and tonal control
  • Shaping long musical phrases across multiple measures
  • Listening to the horn section as a featured unit

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