Reverie et Caprice Cover Image

Reverie et Caprice: Violin & Piano Parts

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Reverie et Caprice Cover Image

Reverie et Caprice: Violin & Piano Parts

By Hector Berlioz / ed. Neil Heyde

Item: 12-057151510X

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Description
Following the composition of Harold En Italie for Viola and orchestra in 1834, Berlioz began work on the opera Benvenuto Cellini, which subsequently failed on its first performances at the Paris Opera in 1838. Berlioz withdrew the opera for substantial revision, and from some of the discharged material he later fashioned this Reverie Et Caprice (in versions both for violin and orchestra and violin and piano). Dedicated to Berlioz's violinist friend Alexandre-Joseph Artot, the piece was quickly taken up by several celebrated violinists of the time, including David, Joachim and Wieniawski, and was played all over Europe.
This new edition for violin and piano, by the musicologist and performer Neil Heyde, is based on the first edition of the score.

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Additional Details
Series: Faber Edition
Publisher: Faber Music
ISBN10: 0-571-51510-X
ISBN13: 978-0-571-51510-3
UPC: 9780571515103
SKU: 12-057151510X
Instrumentation: Violin & Piano

More about this title

About the Composer: Hector Berlioz

Hector Berlioz (1803-1869) was a French composer whose orchestral imagination and harmonic boldness fundamentally shaped Romantic music. A self-taught orchestrator of genius, he revolutionized the expressive possibilities of the symphony and redefined what instrumental color could convey, influencing generations of composers from Liszt to Strauss.

Beyond composition, Berlioz was an accomplished critic and conductor whose writings on music remain essential reading for musicians. His friendships with major performers of his era, including violinist Alexandre-Joseph Artot, often inspired works that showcased both virtuosity and emotional depth, as exemplified in Reverie et Caprice.

Why we love this

This piece carries the fingerprints of Berlioz's operatic genius while remaining intimate enough for the violin and piano duo. Violinists value it for the chance to explore Romantic virtuosity and cantabile playing within a genuinely sophisticated harmonic framework, and the work has remained a staple of recital programming for nearly two centuries for good reason.

What to expect

The piece moves between introspective reverie and virtuosic caprice, creating a tonal journey that feels both rhapsodic and carefully structured. Berlioz's harmonic language lends unexpected color and emotional warmth; this is Romanticism that sparkles without sentimentality.

Who it's for

This edition serves advanced violinists preparing recital and competition repertoire, as well as teachers seeking substantial Romantic-era material that rewards deep musical engagement. Pianists benefit from the sophisticated accompaniment writing, which demands sensitivity to orchestral textures translated for keyboard.

How to get the most out of it

  • Shape the reverie section with unhurried phrasing that allows Berlioz's chromatic voice-leading to unfold; resist rushing even when the piano figuration suggests momentum.
  • Balance the violin line so it sings above the accompaniment without drowning the harmonic movement in the piano part, which carries considerable textural interest.
  • Let the caprice section breathe with rhythmic flexibility, using slight rubato to highlight the structural turns that give the piece its formal coherence.
  • Study the articulation markings carefully; Berlioz's slurs and staccatos define the character shifts and deserve precision alongside expressive freedom.

How to use it

Program this as part of a recital that pairs early Romantic chamber works with standard Romantic concertante pieces, or include it in a concert exploring Berlioz's dramatic gifts across different instrumental settings. It works equally well as a festival or competition selection for advanced students seeking music that commands respect from adjudicators and audiences alike.

Skills your students will build

  • Phrasing across longer harmonic spans in Romantic idiom
  • Balance and transparency in relation to a complex piano accompaniment
  • Rhythmic flexibility and rubato within formal structure
  • Execution of rapid scalar passage work with lyrical control
  • Interpretation of chromatic harmony and expressive dissonance

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