Revenge of the Dust Bunnies for Band Cover Image

Revenge of the Dust Bunnies for Band: Concert Band Conductor Score & Parts

$60.00 USD
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Revenge of the Dust Bunnies for Band Cover Image

Revenge of the Dust Bunnies for Band: Concert Band Conductor Score & Parts

By Dan Adams

Grade: 2

Item: 36-20100725

$60.00
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Description
Beware the terror that lurks under the bed! In addition to being a very clever selection for your students, this is really great teaching material for your first or second year band. Trombone glissandi, a clever melody, and scary percussion effects, including an electric vacuum cleaner (to get those little 'guys') will make this a real hit.

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Additional Details
Series: Great Works Publishing - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 1-57-891877-4
ISBN13: 978-1-57-891877-5
UPC: 679360658499
SKU: 36-20100725
Instrumentation: Concert Band

More about this title

About the Composer: Dan Adams

Dan Adams

Dan Adams spent nearly thirty years leading the band and orchestra programs in Wooster City Schools, Ohio, where he also served as Instrumental Music Coordinator. Before that, he taught at Mount Anthony Union High School in Bennington, Vermont. His training includes a Bachelor of Music Education from Ohio State University (trombone) and a Master of Music in Band Conducting from Northwestern University under John Paynter.

Adams has built a career as an adjudicator, brass performer, and conductor with significant standing in music education circles. His works have been performed around the world and featured at major venues including The Midwest Band Clinic and Western International Band Clinic. He holds membership in the Ohio Music Education Association, NAfME, ASCAP, College Band Directors National Association, and AFM Local 159, and his compositions have earned multiple J.W. Pepper Editors' Choice honors and recognition in Bandworld's Top 100.

Why we love this

This piece proves that Grade 2 teaching material doesn't have to choose between solid pedagogy and genuine fun. The scenario is irresistible to middle school students, and Adams uses it as a vehicle for real musical learning: trombone glissandi get proper emphasis, the melody stays with you, and those percussion effects (especially the vacuum) create natural buy-in for instrumental detail work. You'll find yourself returning to it year after year because it accomplishes so much without feeling like a compromise.

What to expect

Part suspense film, part bedroom comedy. The piece builds dread through instrumentation choices and rhythm before releasing tension with those mischievous trombone slides. It's whimsical without being juvenile, entertaining without sacrificing musical integrity.

Who it's for

First and second year bands that are ready to handle articulation contrasts and simple theatrical staging. The Grade 2 difficulty sits comfortably for developing ensembles while offering enough personality to keep experienced players engaged.

How to get the most out of it

  • Lock down the trombone glissandi during sectionals so they're confident enough to commit to the effect without rushing or sliding too slowly; the theatrical impact depends on confident execution.
  • The vacuum effect matters more than you might think. Invest a few rehearsals in getting your percussion section comfortable with amplifying or layering that sound so it registers clearly in the hall.
  • Balance the melody with the accompaniment by having non-melody players pull back slightly; a novelty piece lives or dies by how well the audience hears the story you're telling.
  • Encourage your trombones to enjoy the glissandi section as a moment to show their section's personality and control, not just as comic relief.

How to use it

This works beautifully as a spring concert opener or closer, where its humor and accessibility set a welcoming tone for your audience. It also functions as excellent motivation material when teaching glissandi technique to younger trombonists, since students actually want to nail something this memorable.

Skills your students will build

  • Trombone glissandi technique and control
  • Ensemble balance between melody and accompaniment
  • Rhythmic precision in novelty effects
  • Coordination of percussion for dramatic impact
  • Sectional independence and confidence in Grade 2 textures

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