Rest And Recreation (from The Hunchback Of Notre Dame: A New Musical) Sheet Music Preview

Rest And Recreation (from The Hunchback Of Notre Dame: A New Musical): Piano Vocal

By Alan Menken & Stephen Schwartz

Item: 35-DS00401001

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Publisher: Hal Leonard
Page Count: 3
SKU: 35-DS00401001

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About the Composer: Alan Menken & Stephen Schwartz

Alan Menken has become synonymous with animated film music, crafting scores for The Little Mermaid, Beauty and the Beast, Aladdin, and Pocahontas. His gift for melody paired with sophisticated orchestration has made him one of the most celebrated composers in contemporary musical theater. Stephen Schwartz, equally accomplished, brought his lyrical prowess and theatrical instinct to projects ranging from Godspell and Pippin to Wicked and the films Enchanted and Tangled. Together on The Hunchback of Notre Dame, they created a score that honors the darker, more complex source material while maintaining the accessibility that defines great musical theater writing.

Menken and Schwartz's partnership demonstrates how composers working at the highest level of their craft can serve young singers and student pianists. Their music rewards careful attention to phrasing and dynamic control without sacrificing the joy of performance.

Why we love this

This song offers students a chance to inhabit a moment of genuine emotional reprieve. The tunefulness sits perfectly in the voice without straining, and the piano writing is detailed enough to keep accompanists engaged without becoming technically prohibitive. Programming a Menken/Schwartz number signals to audiences that you're drawing from the highest tier of contemporary musical theater craftsmanship.

What to expect

A moment stolen from the chaos and hardship surrounding the larger narrative. The music wraps around the lyric with genuine warmth, offering both the character and the performer a place to simply exist without urgency. It carries the Broadway DNA of classic musical theater while maintaining the emotional specificity that makes recent work resonate with modern listeners.

Who it's for

Young singers (intermediate to advanced) who've developed enough control to navigate theatrical storytelling without compensating through force. Accompanists should have solid note-reading skills and comfort with music theater's particular rhythmic vocabulary.

How to get the most out of it

  • Shape the phrases around the lyrics rather than the bar lines; Schwartz's text naturally suggests where breaths belong, and following that instinct creates conversational authenticity
  • Balance the piano line so it supports without overwhelming; Menken's accompaniment is orchestral in conception, and singers should always sit slightly forward in the mix
  • Allow the softer moments to breathe; restraint and vulnerability often register with audiences more powerfully than volume

How to use it

Slot this into a musical theater recital or into a concert celebrating contemporary composers. The moderate length and intimate character make it ideal for winter or spring concerts where you're building variety; it provides necessary contrast if you're programming bigger ensemble numbers elsewhere. Solo recital students preparing audition material will find this sits in a sweet spot of accessibility and sophistication.

Skills your students will build

  • Lyrical phrasing and emotional narrative through music
  • Sustaining tone quality across dynamic changes
  • Sight-reading music theater notation and conventions
  • Collaborative listening between vocalist and accompanist
  • Interpreting contemporary compositional style

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