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Requiescat: SSA Choral Octavo

As performed by William Schuman / Arranged by Dale Warland

Item: 35-DS00291675

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Additional Details
Publisher: Hal Leonard
Page Count: 3
SKU: 35-DS00291675

More about this title

About the Artist: William Schuman

William Schuman (1910-1992) stands as one of the most significant American composers of the twentieth century. His music combines modernist harmonic language with deeply American themes, earning him the Pulitzer Prize for Music in 1943 and establishing him as a cultural ambassador for American classical music throughout his lifetime.

Schuman's compositional voice shaped generations of American musicians through his work as president of The Juilliard School and his tireless advocacy for new music. His choral writing balances accessibility with artistic substance, making his works staples in concert and educational settings alike.

Why we love this

Warland's arrangement brings Schuman's visionary voice to an accessible three-part ensemble, preserving the emotional weight of the original while opening the piece to more singers. The text setting remains elegant and singable throughout, never sacrificing clarity of expression for technical display.

What to expect

The piece carries quiet dignity and introspection, unfolding with the inevitability of Schuman's harmonic progressions. Its brevity contains emotional depth; this is music that honors its text with restraint and respect rather than dramatic flourish.

Who it's for

Directors building a SSA or mixed chamber choir repertoire will find this piece both musically substantial and accessible to intermediate singers. It works equally well for choirs seeking serious concert material or those wanting to introduce students to Schuman's compositional language.

How to get the most out of it

  • Shape the text naturally rather than sentimentally; Schuman's harmonic language carries the weight, and over-interpretation will obscure it.
  • Balance the inner voices carefully so the piece never sounds thin, even in exposed moments with fewer voices.
  • Let the three-part texture breathe with space between phrases; resist rushing the quieter passages.

How to use it

This octavo fits naturally into concerts exploring American choral classics or themed programs around contemplative texts. At three pages, it pairs well with longer works, offering a moment of intimate reflection before or after more expansive repertoire.

Skills your students will build

  • Voice independence in three-part writing
  • Singing contemporary harmony with pure intonation
  • Phrasing text-driven music with minimal direction
  • Blending voices at varying dynamic levels

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