Requiem Mass in D minor, K. 626 Cover Image

Requiem Mass in D minor, K. 626: Mass, Orchestra Accompaniment, Oversized Full Score (EDWIN F KALMUS)

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Requiem Mass in D minor, K. 626 Cover Image

Requiem Mass in D minor, K. 626: Mass, Orchestra Accompaniment, Oversized Full Score (EDWIN F KALMUS)

By Wolfgang Amadeus Mozart, completed by Franz Xaver Sussmayr/ ed. Johannes Brahms

Item: 36-A267001OS

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Left unfinished at the time of his death, Wolfgang Amadeus Mozart's (1756-1791) REQUIEM MASS in D minor, K. 626 remains among the composer's most recognizable works and is a major part of the choral repertoire. Clouded by the circumstances of a possible anonymous commission by Count Franz von Walsegg-Stuppach, who likely intended to pass the work off as his own, and the need by Mozart's widow Constanze to collect the full commission fee from the count, the work was believed for some time to be whole and completed by the young composer prior to his death. In truth, the music was secretly completed by Mozart's student Franz Xaver Süssmayr at Constanze's request. At the time of his death, Mozart had completed the "Introit" movement entirely, and he had sketched the "Kyrie," "Sequence," and "Offertorium." The "Benedictus," "Agnus Dei," and "Communio" remained unwritten. Süssmayr's completion (finished in 1792) remains the version most performed today by far, though some few other attempts to complete the mass have been attempted in the 20th century. This edition was published in the 19th century by Breitkopf und Härtel as part of their Wolfgang Amadeus Mozarts Werke project in Series 24, Volume 1. The REQUIEM MASS was edited by Johannes Brahms in that collection. Instrumentation in set: 0.0.2BstHns(sub.2Cls).2: 0.2.3(sub.EbTpt for Atbn).0: Timp: Org: Str (4-4-3-3-3 in set): Soli SATB.Mix Chor. While the work was written to include two Bassett Horns, Clarinets are frequently substituted for those parts. Both the Bassett Horn and Clarinet parts are included. An E-flat Trumpet part meant to substitute for the Alto Trombone part is also included. The vocal/choral score is available separately. 11x14 oversized full score.

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Additional Details
Series: Kalmus Choral Library
Publisher: Keiser Productions, Inc.
ISBN10: 8-88-852266-2
ISBN13: 979-8-88-852266-0
UPC: 676737555146
SKU: 36-A267001OS
Instrumentation: 0.0.2BstHns(sub.2Cls).2: 0.2.3(sub.EbTpt for Atbn).0: Timp: Org: Str (4-4-3-3-3 in set): Soli SATB.Mix Chor

More about this title

About the Composer: Wolfgang Amadeus Mozart

Wolfgang Amadeus Mozart (1756-1791) composed over 600 works across every major genre during his short life, establishing himself as one of the most influential composers in Western music history. His facility for melody, harmonic sophistication, and structural clarity shaped the Classical style and continue to define the repertoire for orchestras, choirs, and chamber ensembles worldwide.

Mozart's sacred music spans masses, motets, and liturgical works that remain central to choral programming. The Requiem Mass in D minor stands as his final composition, a work that synthesizes his mature compositional voice with the demands of the Latin funeral liturgy. Though incomplete at his death, the work has endured as one of the most performed large-scale choral works in concert and liturgical settings.

Why we love this

This oversized full score preserves the 19th-century Brahms edition, giving you direct access to one of the most historically significant choral publications. The layout and legibility make score study manageable for conductors preparing large vocal and instrumental forces, while the Süssmayr completion (now universally performed) ensures you're working with the version your singers and orchestral musicians will encounter in professional settings. Programming this work anchors a season with a masterpiece of genuine liturgical depth and emotional power.

What to expect

The Requiem opens with grave, searching beauty. String textures are often transparent and introspective, allowing the Latin text to carry emotional weight. The Sequence unfolds in waves of intensity, with choral writing that ranges from stark, homophonic declarations to polyphonic passages of considerable density. Throughout, Mozart achieves a balance between liturgical formality and human vulnerability, creating a work that honors both the sacred text and the orchestra's capacity for expression.

Who it's for

Choral directors and conductors preparing full-scale performances of the Requiem Mass with orchestral accompaniment, whether for concert, liturgical, or festival contexts. This oversized score is essential for conductors who need clear sightlines across four to five staves of orchestration plus vocal parts during rehearsal and performance. Music educators seeking the historically authoritative Brahms edition will find this Kalmus publication a reliable, affordable alternative to modern urtext scores.

How to get the most out of it

  • Balance the soloists against the choir by positioning them forward and slightly separated from the main chorus; in the Kyrie and Sequence, their lines often double or weave through the choral texture, and clarity requires intentional staging.
  • Attend to the organ's role as harmonic anchor and continuo instrument. The score indicates organ throughout, and its presence steadies ensemble tuning in passages with complex string writing.
  • Prepare string players for sustained, singing lines that demand consistent vibrato control and long-line phrasing. Mozart's string writing in the Requiem balances orchestral color with the needs of a liturgical setting.
  • Rehearse the timpani and brass entries with precision; their moment-to-moment deployment supports harmonic motion and structural divisions rather than providing continuous accompaniment, so clarity of attack matters greatly.

How to use it

The Requiem Mass works as a season finale or as part of a liturgical concert centered on Mozart's sacred works. Its length (approximately 90 minutes) suits a full evening program, or you might pair it with Mozart motets or other sacred music to create a coherent thematic concert. Consider the performance context carefully: the work functions equally well in concert halls, churches, or festival settings, though your rehearsal timeline should account for the coordination demands of soloists, mixed choir, and orchestra.

Skills your students will build

  • Reading and singing layered choral textures in Latin
  • Balancing individual vocal lines within dense orchestral accompaniment
  • Sustaining tone and phrasing through long, lyrical vocal passages
  • Responding to orchestral cues and conducting gestures in a large ensemble
  • Understanding harmonic language and formal structure in Classical sacred music
  • Performing with historical awareness of the completion and performance tradition

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