Requiem in D minor K626 (Viola Part) Cover Image

Requiem in D minor K626 (Viola Part): Choral Works (inc. Oratorios)

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Requiem in D minor K626 (Viola Part) Cover Image

Requiem in D minor K626 (Viola Part): Choral Works (inc. Oratorios)

By Wolfgang Amadeus Mozart / ed. David Black

Item: 98-0014111063

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Original item: EP11035-VLA

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 24
ISBN10: 0-01-411106-3
ISBN13: 979-0-01-411106-9
SKU: 98-0014111063

More about this title

About the Composer: Wolfgang Amadeus Mozart

Wolfgang Amadeus Mozart (1756–1791) composed with a facility that seemed almost supernatural to his contemporaries. Working across every major genre, he shaped the classical style itself through relentless innovation and an ear attuned to both dramatic power and lyrical perfection. His sacred music reveals a composer equally at home in intimate devotion and grand architectural form.

Mozart completed the Requiem in D minor during his final illness, leaving portions unfinished at his death. His student Franz Xaver Süssmayr completed the work, which has since become one of the most performed requiem settings in the repertoire. The score balances textural clarity with profound emotional depth, making it a touchstone for understanding both classical composition and the human response to mortality.

Why we love this

The Requiem stands as Mozart's most ambitious sacred work, and this viola part sits at the heart of the orchestration, supporting the choral lines while maintaining the brilliant clarity that defines the classical style. Ensembles performing this masterwork gain direct access to how Mozart voices a large form, balancing independent instrumental writing against vocal prominence. It remains one of the most meaningful collaborative experiences available to string players.

What to expect

Solemn yet luminous, the Requiem in D minor carries the weight of sacred tradition while its classical orchestration prevents it from feeling heavy. The viola part oscillates between moments of intimate vulnerability and passages of noble support, creating a sense of both witness and participant in the ritual unfolding above.

Who it's for

String orchestra musicians and serious amateur ensembles tackling major choral-orchestral repertoire. This part suits violists with secure intonation and the ability to sustain long phrases with musical intent, typically those with several years of ensemble experience.

How to get the most out of it

  • Shape long, sustained notes with purposeful dynamic contour rather than holding them flat; the viola part often carries harmonic weight that deserves subtle expressive attention.
  • Listen carefully to the choral entrances and adjust vibrato intensity accordingly—sometimes transparency matters more than fullness, particularly in the softer episodes.
  • Balance independence with ensemble cohesion; your lines frequently move against the primary melodic voice, so clarity of line matters alongside precision of rhythm.

How to use it

The Requiem demands a full concert program to itself or a substantial portion of one. Consider pairing it with shorter Mozart sacred works or positioning it as the capstone of a concert exploring classical sacred music alongside symphonic works by his contemporaries.

Skills your students will build

  • Reading and sustaining long vocal-length phrases in classical style
  • Balancing independent harmonic lines against choral text underlay
  • Responding to text-driven dynamics and phrasing in a sacred context
  • Maintaining ensemble precision across extended formal structures

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