Remains of the Day (from Corpse Bride): Score
Arr. Victor López, percussion arr. Anthony M. Falcone
Grade: 3 (Medium)
Item: 00-PR-0006319
$8.00
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Description
The creative team of Tim Burton and Danny Elfman teamed up again to create the unusual animated feature film Corpse Bride. One of the cleverest songs from the soundtrack is "Remains of the Day". This catchy swing tune, featuring the mallet section, would work great as a production number or stand chart. (1:44)
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Additional Details
Series:
Mega Sounds for Marching Band
Publisher:
Alfred Music
Page Count:
128
SKU:
00-PR-0006319
More about this title
About the Arranger: Victor López
Victor López has established himself as one of the most prolific and inventive arrangers for marching arts ensembles. His arrangements span from classical transcriptions to contemporary film music, consistently earning recognition for their musicality, clarity, and performance-driven writing. López brings a deep understanding of what makes music engaging on the field, balancing technical demands with accessibility for Grade 3 ensembles.
Why we love this
Danny Elfman's quirky, syncopated melody sits perfectly in López's hands here. The arrangement gives your mallet section genuine spotlight moments while keeping the ensemble texture lean and playable at Grade 3, making this a refreshing choice that doesn't sacrifice musicality for accessibility.
What to expect
Darkly playful and oddly charming. The piece captures Elfman's signature blend of minor-key moodiness and infectious groove, creating something that feels both slightly eerie and genuinely fun. Students will recognize the melody immediately, which makes teaching the phrasing and ensemble blend more intuitive.
Who it's for
Marching bands seeking a Grade 3 selection that's contemporary, musically interesting, and instantly recognizable without leaning on overused classics. Programs looking for a stand chart with personality, especially those building a show around visual or thematic concepts related to film or humor.
How to get the most out of it
- Establish the swing feel clearly in rehearsal before adding the march element. This tune lives in the space between strict march time and looser swing rhythm, so front-ensemble locked-in articulation matters.
- Highlight the mallet voicing in your field setup. The arrangement features xylophones and bells distinctly, so position them where they project without overwhelming the horn line.
- Keep the tempo steady but relaxed. "Remains of the Day" should feel conversational and slightly swung, not metronomic. Record a reference with your desired tempo and play it in sectionals.
- Balance the bass line carefully. At Grade 3, low brass can rush this groove. Ensure tubas stay aligned with the percussion pulse rather than pushing ahead.
How to use it
This works exceptionally well as a stand chart that bridges your concert and marching repertoire. You might slot it into a show with a darker or unconventional theme, or use it as a crowd-pleasing closer that breaks from traditional marching fare. It's also strong enough to function as a standalone feature number at a pops concert or indoor exhibition.
Skills your students will build
- Swing articulation and phrasing in a march context
- Mallet ensemble balance and independence
- Reading syncopated rhythmic figures in mixed feels
- Maintaining groove-based pulse with precision
- Dynamic contrast across sectional textures