Relay Race: Concert Band Conductor Score & Parts
By Brian Bankston
Grade: 1
Item: 98-PK-RWS2002
Pickup currently not available
Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Relay Race: Score | $8.00 | |
| Relay Race: 1st Flute | $3.99 | |
| Relay Race: Oboe | $3.99 | |
| Relay Race: 1st B-flat Clarinet | $3.99 | |
| Relay Race: B-flat Bass Clarinet | $3.99 | |
| Relay Race: Bassoon | $3.99 | |
| Relay Race: 1st E-flat Alto Saxophone | $3.99 | |
| Relay Race: B-flat Tenor Saxophone | $3.99 | |
| Relay Race: E-flat Baritone Saxophone | $3.99 | |
| Relay Race: 1st B-flat Trumpet | $3.99 | |
| Relay Race: 1st F Horn | $3.99 | |
| Relay Race: 1st Trombone | $3.99 | |
| Relay Race: Baritone B.C. | $3.99 | |
| Relay Race: Baritone T.C. | $3.99 | |
| Relay Race: Tuba | $3.99 | |
| Relay Race: 1st Mallet Percussion | $3.99 | |
| Relay Race: Optional Timpani | $3.99 | |
| Relay Race: 1st Percussion | $3.99 | |
| Relay Race: 2nd Percussion | $3.99 |
Parts Added to Cart!
Description
Original Item#: RWS-2002-00
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More about this title
About the Composer: Brian Bankston
Brian Bankston is a composer and arranger with a gift for writing music that speaks directly to beginning ensembles. His work in the RWS series demonstrates a keen understanding of what motivates young musicians to practice and perform with genuine enthusiasm.
Why we love this
Bankston built this piece around a single, elegant pedagogical idea: students listen, respond, and pass responsibility like they're racing toward a finish line. The constant melodic exchanges demand real sectional awareness and force every musician to know when they're in and when they're supporting, which is exactly the foundation strong ensembles need. Beginning bands play it because it's genuinely fun; you keep returning to it because the musical payoff is real.
What to expect
Bright, purposeful, and playful all at once. The relay structure creates an almost competitive spirit as sections pass the tune back and forth, but the overall effect is warm and collaborative, like watching musicians discover they're stronger together than alone.
Who it's for
Beginning band directors who need a piece that teaches something real while keeping energy high and engagement constant. Grade 1 students who are ready to think beyond their own line and consider how their sound fits into a larger musical structure.
How to get the most out of it
- Isolate the relay exchanges in sectional rehearsals before full band run-throughs. Have each section nail their entrance and cutoff crisply, treating the handoff as the most important moment in the phrase.
- Record a full run-through and play it back for the band so students can hear how the melody travels and how balance shifts when focus moves from one section to another.
- Mark dynamic adjustments where the melody receiver needs to sit forward slightly and the passing section pulls back just enough to stay supportive but audible.
How to use it
Program this early in the year as a rehearsal tool that doubles as a performance piece, or save it for a concert moment where you want to showcase how far your beginners have come in terms of listening and balance. It works equally well in a full concert or as a standalone opening number.
Skills your students will build
- Sectional balance and dynamic awareness
- Ensemble listening and response timing
- Passing melodic responsibility between instrument families
- Entrances and releases executed as a unified section
- Sustained accompaniment while melody moves elsewhere