Rejoice Greatly (from <i>Messiah</i>) Cover Image

Rejoice Greatly (from <i>Messiah</i>): Brass Quintet Score & Parts

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Rejoice Greatly (from <i>Messiah</i>) Cover Image

Rejoice Greatly (from Messiah): Brass Quintet Score & Parts

Trumpet Feature

By George Frederic Handel / arr. David Marlatt

Level: Difficult

Item: 81-BQ969

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Description
George Frederic Handel wrote his most famous oratorio, Messiah, in a little over three weeks. There is little doubt that this work is one of the most famous and often performed choral pieces in history. Handel conducted many performances in his day and there never seemed to have been a period when the work was not played. This soprano aria has been adapted to feature a trumpet.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-55472-819-3
ISBN13: 978-1-55472-819-0
UPC: 685462003457
SKU: 81-BQ969
Instrumentation: Brass Quintet

More about this title

About the Composer: George Frederic Handel

George Frideric Handel (1685–1759) was a German-born composer who spent most of his career in England, where he became a central figure in Baroque music. He mastered virtually every genre of his era, from opera and oratorio to instrumental concertos, and his works remain cornerstones of the classical repertoire. Handel's facility with melody and his ability to write for the human voice set him apart; his oratorios, particularly Messiah, established a new musical form that combined dramatic storytelling with choral grandeur.

Messiah stands as one of history's most enduring sacred works. Composed in 1741 over an astonishingly brief period, it has remained in continuous performance for nearly three centuries. The work's accessibility and emotional power have made it a cultural touchstone, adapted and arranged countless times to suit different ensembles and occasions.

Why we love this

David Marlatt's adaptation captures the soaring character of this iconic aria while showcasing trumpet brilliance at a level that challenges serious brass players. The arrangement respects Handel's harmonic language and melodic integrity while reimagining the piece for an ensemble that can deliver both rhetorical grandeur and intricate rhythmic coordination. Programming this alongside other seasonal works or at a memorial service gives audiences a familiar landmark in a fresh instrumental context.

What to expect

Exuberant and ceremonial, with an almost trumpet-like call to celebration woven through Baroque counterpoint. The brightness of the original aria translates into the upper register while the supporting brass creates harmonic warmth underneath, producing a sound that is both festive and spiritually grounded.

Who it's for

Advanced brass quintets seeking repertoire that combines historical substance with technical engagement. This arrangement works for quintets performing in holiday concerts, church services, or chamber recitals where a celebrated classical work adds prestige and allows each player meaningful solo material.

How to get the most out of it

  • Balance the trumpet's lyrical line against the supporting brass; the secondary voices should frame rather than compete with the melody.
  • Shape the phrases with genuine breathing points, treating this as a vocal line even in instrumental form. Avoid mechanical phrasing that flattens Handel's natural speech rhythms.
  • Attend closely to articulation consistency within each brass section; uniform tonguing style across horn or trombone parts will tighten ensemble clarity.
  • Allow the opening statement to land with character before accelerating through the faster passagework. Handel's architecture relies on contrast between repose and activity.

How to use it

Use this as a centerpiece in a holiday concert or as part of a sacred music program paired with other Baroque works. The piece's immediate recognition and celebratory character make it an effective opener or closer, and its difficulty level rewards audiences who appreciate ensemble precision and classical craftsmanship.

Skills your students will build

  • Playing Baroque phrasing and articulation conventions in a collaborative brass context
  • Balancing a prominent melodic line against supporting harmonic voices
  • Executing rhythmic precision in fast passagework while maintaining legato in slower sections
  • Reading and performing from both score and individual parts with accuracy

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