Regards to Broadway! Cover Image

Regards to Broadway!: 3-Part Mixed CD Kit (Book & Enhanced CD)

$69.99 USD
Sale price  $69.99 USD Regular price 
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Regards to Broadway! Cover Image

Regards to Broadway!: 3-Part Mixed CD Kit (Book & Enhanced CD)

A Musical Salute

Arr. Sally K. Albrecht, Jay Althouse, and Andy Beck, with an optional script and staging suggestions by Sally K. Albrecht

Grade: 4 & up

Item: 00-45711

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Description
Celebrate Broadway musicals past and present with this entertaining and educational revue. An optional narration (for up to 50 speakers) tells the incredible history and evolution of American musical theater and ties this 35-minute choir-focused presentation together with purpose and panache. Features a dozen hit show tunes from a century of blockbusters like Gypsy; Kiss Me, Kate; My Fair Lady; Ragtime; and The Wiz; arranged exclusively for 2-part or 3-part mixed singers by Alfred Music's top writers. Includes choreography notes throughout the 100% reproducible score, as well as extracted singer pages on the live-orchestra enhanced CD. Recommended for grades four and up.

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Additional Details
Publisher: Alfred Music
Page Count: 96
ISBN10: 1-4706-3915-7
ISBN13: 978-1-4706-3915-0
UPC: 038081514505
SKU: 00-45711

More about this title

About the Arranger: Sally K. Albrecht

Sally K. Albrecht

Sally K. Albrecht has shaped American choral music for more than thirty years as a composer, arranger, conductor, and publisher. Her prolific output includes over 600 choral works and 75 larger musicals and songbooks, many of which have become staples in school choirs across the country. A recipient of the ASCAP Special Music Award annually since 1987, she served as Director of School Choral, Vocal, and Elementary Publications at Alfred Music and has conducted honor choirs at prestigious venues including Lincoln Center, Carnegie Hall, and The Kennedy Center.

Albrecht earned her B.A. in Music and Theater from Rollins College and continued her studies at the University of Miami, where she received an M.A. in Drama and an M.M. in Accompanying. She has taught at Oakland University, Jersey City State College, and Meredith College. In 2021, she received the Distinguished Alumna Award from both the University of Miami Frost School of Music and Rollins College, where she serves on the Board of Trustees. Albrecht and her husband, composer and arranger Jay Althouse, live in Wake Forest, North Carolina.

Why we love this

This revue balances stellar orchestrations with intelligent narration that actually teaches students the arc of American musical theater rather than simply stringing songs together. The inclusion of 100% reproducible scores and extracted singer pages on the enhanced CD removes common logistical headaches, while the optional 50-speaker narration framework gives you tremendous flexibility for casting and rehearsal focus. The arrangement diversity across twelve songs keeps the pacing fresh without requiring your singers to master dramatically different vocal techniques.

What to expect

A guided tour through a century of American theatrical joy, from the golden age through contemporary shows. The songs themselves spark recognition and delight, while the accompanying narration transforms individual numbers into chapters of a larger story, giving students genuine context for why each song mattered to audiences when it premiered.

Who it's for

Choral directors working with mixed voices in grades 4 and up who want a thematic, performance-ready program that teaches music history while entertaining audiences. This kit works especially well for programs where you need flexibility in casting (narrators can be speakers from any grade or even non-singers), reproducibility across multiple performances, and strong ensemble repertoire that doesn't demand soloists.

How to get the most out of it

  • Use the live-orchestra enhancement track during rehearsals to build ensemble accuracy, but pull it back during final run-throughs so singers trust their own blend and intonation.
  • Assign narration roles early and have speakers mark their cues directly in their extracted score pages; this prevents the narrative from feeling like an afterthought rather than a structural anchor.
  • Vary the choreography intensity across the program's arc; reserve the most movement-heavy moments for songs with the strongest rhythmic drive so dancers and singers can lock together naturally.
  • Rehearse transitions between songs with the same focus you'd give the pieces themselves, since a 35-minute revue lives or dies by pacing and momentum.

How to use it

Build this into a spring concert as a free-standing 35-minute act, or open your year-end program with it to celebrate before moving into concert repertoire. The narration framework also makes it ideal for assembly programs, curriculum tie-ins with American history or English language arts classes, or interdisciplinary performances where movement and spoken word enhance the musical storytelling.

Skills your students will build

  • Blend and intonation in mixed-voice harmony across multiple song styles and meters
  • Rhythmic independence when singing over live-orchestra accompaniments
  • Musicality and phrasing in theatrical context with text-driven interpretation
  • Ensemble cohesion across extended, multi-part presentations with coordinated narration
  • Historical literacy regarding musical theater evolution and cultural significance of canonical show tunes

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