Red - From Krisanna's Colors: Score
From Krisanna's Colors
By Robert W. Smith
Grade: 3
Item: 98-PR-RWS2285
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Original Item#: RWS-2285-00
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About the Composer: Robert W. Smith

Robert W. Smith stands among America's most recorded composers for instrumental music, with more than 400 published works spanning concert band, orchestra, and wind ensemble literature. He holds degrees from Troy State University and the University of Miami, and his compositions have traveled across six continents, performed by ensembles ranging from developing groups to professional orchestras.
Beyond the concert hall, Smith's music has appeared in Olympic broadcasts, network television productions, and ceremonial events including the opening of the Macy's Thanksgiving Day Parade. His symphonic works (The Divine Comedy and The Odyssey among them) and accessible pieces for growing ensembles have become repertoire standards, and his work as a guest conductor and clinician has taken him throughout North America, Europe, Asia, and the United Kingdom.
Why we love this
Smith captures genuine emotional arc here, moving from introspection to exuberance in a way that feels earned rather than manipulated. Grade 3 full orchestra music rarely balances accessibility with orchestral sophistication this well, and the thematic clarity means every section hears something singable and memorable.
What to expect
Red opens with quiet introspection and regret, a lone clarinet voice reflecting before a choir joins in mournful harmony. Then something ignites. The mood explodes into vivid, unrelenting energy, driven by full orchestral color and rhythmic insistence that mirrors passion at its peak.
Who it's for
Orchestra directors building festival programs or concert repertoire that demands both emotional range and student engagement. This work suits ensembles ready for Grade 3 technical demands but still developing interpretive maturity.
How to get the most out of it
- Establish the clarinet and choir carefully in the opening; this vulnerable moment must land before the energy surge, so don't rush the tempo or underestimate the dynamic control needed.
- Shape the transition into the bombastic section with precision. Mark clear cutoff points and entrance cues so the shift from somber to extreme reads as intentional climax rather than chaos.
- Balance the orchestra's full sound during the high-energy passages without letting articulation blur; clarity at forte dynamics prevents heaviness at this grade level.
How to use it
Program Red alongside Blue and Yellow as a complete triptych to create a thematic arc that holds audience attention across three distinct emotional landscapes. Alternatively, open a concert with Red alone as a statement piece that announces your ensemble's range and sets an energized tone for what follows.
Skills your students will build
- Sustaining lyrical phrasing through solo and ensemble passages
- Executing dramatic dynamic contrasts (pp to ff) with clarity and control
- Coordinating sectional entrances during rapid mood shifts
- Balancing transparency in full orchestra textures at Grade 3 difficulty