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Recorda me: Jazz Ensemble Conductor Score

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Recorda me: Jazz Ensemble Conductor Score

By Joe Henderson / arr. Kris Berg

Grade: 3.5 (Medium)

Item: 00-41163S

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Description
A samba performed at 170 BPM, this chart has a lot of energy. Written-out solos provided for all saxes and brass, a great sax soli, a developing interlude, and lead trumpet range to written B above the staff. Includes optional vibraphone and flute parts. (5:08) This title is available in MakeMusic Cloud.

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Additional Details
Series: Jazz Band Series
Publisher: Alfred Music
Page Count: 28
UPC: 038081474427
SKU: 00-41163S

More about this title

About the Composer: Joe Henderson

Joe Henderson (1937-2001) was a tenor saxophonist and composer whose work bridged hard bop, modal jazz, and Latin jazz with sophisticated harmonic sensibility. His compositions became standards in the jazz repertoire, recorded by countless ensembles and studied by musicians across all levels. Henderson's gift for writing memorable melodies over complex chord changes made him invaluable to jazz education, where his pieces reward both ensemble precision and individual voice.

Why we love this

Kris Berg's arrangement captures the propulsive warmth of samba while demanding real musicianship from your ensemble. The written-out solos for saxes and brass eliminate the intimidation factor of trading solo space, yet keep every section engaged and accountable. It's the kind of piece that sounds impressive at festival and feels genuinely fun to rehearse.

What to expect

A burst of sunlit energy that pulls listeners in immediately. The 170 BPM samba grove bounces forward without chaos, and the written solos give each section a moment to shine while the larger ensemble texture stays rich and full.

Who it's for

Jazz ensembles at the 3.5 grade level looking for a piece with real ensemble writing and soloistic opportunity that doesn't demand improvisation. This works for ensembles ready to handle samba feel, clear articulation, and the rhythmic precision that Latin jazz requires.

How to get the most out of it

  • Lock the groove at 170 BPM by having rhythm section isolate the clave pattern in the first few rehearsals; the samba pocket won't sit until bass and drums feel it together
  • Address lead trumpet's high passages (up to B above the staff) early; this isn't a technical show-off moment but a moment of brightness that needs control and steady air support
  • Shape the sax soli as a unified voice; balance the four-part writing so no one saxophone drowns out the vertical harmony beneath it
  • Use the developing interlude as a rehearsal checkpoint; it's where transitions matter most, and careful marking of dynamics and sectional entries prevents it from sounding rushed

How to use it

Program this at a jazz festival where judges and audiences respond to grooves and strong ensemble identity. It also works as a second-set opener at a winter concert, where the brightness and motion shift the energy after a ballad or darker piece.

Skills your students will build

  • Samba groove and Latin jazz rhythmic feel
  • Balancing as a four-part sax section and multi-voice brass bloc
  • Reading written-out solos and maintaining phrase shape without improvisation
  • Control and projection in high register trumpet playing
  • Ensemble cohesion within a fast, energetic harmonic framework

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