Recital Repertoire for Cello, Book 2 Cover Image

Recital Repertoire for Cello, Book 2: Cello & Piano Book

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Recital Repertoire for Cello, Book 2 Cover Image

Recital Repertoire for Cello, Book 2: Cello & Piano Book

Ed. Julian Lloyd Webber

Item: 12-0571566766

$11.99
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Description
Titles: Nicholls: Bohemian Dance * Skryabin: Prelude * Bruch: Finnlandisch * de Marzis: Adagio and Allegro * Mendelssohn: Lied ohne Worte * Bridge: Scherzetto

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Additional Details
Series: Faber Edition
Publisher: Faber Music
ISBN10: 0-571-56676-6
ISBN13: 978-0-571-56676-1
UPC: 9780571566766
SKU: 12-0571566766
Instrumentation: Cello & Piano

More about this title

Why we love this

This collection spans genuine stylistic range, from Nicholls' rhythmic vitality to Bridge's wit to Bruch's lyrical depth. Each piece is sized right for students moving beyond beginner method books but not yet ready for full concerto demands. The pairing with piano keeps rehearsals manageable while still demanding musical partnership.

What to expect

This book moves through intimate Romantic miniatures and character pieces that ask the cellist to find color and character within modest ranges. There's elegance throughout, neither virtuosic nor apologetic, with moments of genuine warmth alongside sprightly, charming episodes.

Who it's for

Intermediate cello students ready for recital work that requires real musical maturity but manageable technical demands. Teachers building confident players who can hold their own in partnership with piano and draw expressive nuance from contrasting styles.

How to get the most out of it

  • Balance the rhythmic drive in the Bohemian Dance against the piano's accompaniment; this piece rewards clarity in the left hand pizzicato figures if they appear.
  • Shape Mendelssohn's Lied ohne Worte as vocal line, listening for places where the melody naturally breathes between phrases rather than pushing through.
  • In the Skryabin Prelude, use pedal sparingly on the piano part; a clean harmonic foundation lets the cello's sustained notes ring without muddying.
  • Allow Scherzetto to stay light; resist the urge to weight the faster passages, especially in the dialogue between instruments.

How to use it

Program individual pieces across multiple recitals to showcase a student's growing breadth, or select three contrasting selections for a single student recital slot. The variety makes this ideal for competitions where you need both lyrical and rhythmic character pieces on one list.

Skills your students will build

  • Sustaining lyrical lines with consistent vibrato and tone production
  • Rhythmic precision in syncopated figures and dance-derived patterns
  • Balance and blend with piano accompaniment
  • Expressive phrasing across multiple compositional styles
  • Shifting smoothly between contrasting tempos and textures within a single recital set

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