Realtime Movie Standards - Guitar: Guitar Book & CD

This collection refuses to box guitarists into either soloist or accompanist roles. Instead, Kiltz creates space for the guitarist to move fluidly between comping, soloing, and improvisation within each arrangement, which mirrors how working musicians actually play in ensemble settings. The dual full and half playback versions mean students can focus on different aspects of the same tune without re-recording.

Stepping into these arrangements feels like being invited into a professional recording session. The playing is relaxed but assured, the grooves breathe naturally, and the space left open invites you to add your own voice rather than follow a fixed path.

This is for guitarists who want to move beyond backing tracks into genuine ensemble playing. It suits intermediate to advanced players ready to develop both their comping vocabulary and their ability to improvise and interpret within a band context.

• Listen carefully to how the rhythm section voices the chords on the full playback version before attempting your own comping. Notice where Daniel Prandl leaves space and where he fills it.
• When the half playback removes the guitar entirely, start with one chorus playing exactly what's notated, then use the second chorus to test your own comping choices and phrasing.
• Study the preparation exercises and warm-ups before tackling each standard; Kiltz includes these specifically to address the technical demands of each tune's style.
• Record yourself against both versions. Soloing sounds confident at a certain volume, but comping requires you to sit back and lock with the bass and drums without drowning them out.

These standards work beautifully as teaching repertoire in ensemble contexts where guitarists are learning to function as full band members. They also serve as recital material for advanced students who want to demonstrate control across multiple guitar roles within a single performance.

• Comping in jazz and popular music styles
• Improvisation over standard changes with harmonic awareness
• Listening and locking with a rhythm section
• Distinguishing and executing different rhythmic and dynamic roles within the same tune
• Interpreting and phrasing melody lines across multiple takes
• Translating studio production choices into solo guitar performance choices