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Real Repertoire for Violin: Violin Book

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Real Repertoire for Violin: Violin Book

By Mary Cohen

Level: Intermediate

Item: 12-057152155X

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Description
This volume has been carefully selected for the intermediate violinist. It provides essential repertoire that players will return to time and again. Pieces have been selected by Mary Cohen and include masterpieces by Bach, Mozart and Brahms as well as lesser known pieces by Bartok and Wieniawski. A lasting inspiration to violinists everywhere.

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Additional Details
Series: Faber Edition
Publisher: Faber Music
ISBN10: 0-571-52155-X
ISBN13: 978-0-571-52155-5
UPC: 9780571521555
SKU: 12-057152155X

More about this title

About the Composer: Mary Cohen

Mary Cohen

Mary Cohen built her reputation through decades of work with string players at every level, from young beginners through advanced musicians. Her sixty-plus publications reflect a deep understanding of pedagogy grounded in her own experience as a violinist with the City of Birmingham Symphony Orchestra and her ongoing studio teaching. She studied composition, violin, piano, and chamber music at the Royal College of Music, where she earned multiple prizes, and has served as a technical consultant and composer for the Associated Board of the Royal Schools of Music since 2001.

Beyond individual instruction, Cohen champions chamber music as essential to musical growth. She founded String Quartets From Scratch, a club that has introduced ensemble playing to thousands of young musicians across age ranges. Her conviction that broad musical experience and personalized learning styles matter deeply shapes everything she publishes, from her celebrated Superseries to her carefully curated collections like this one.

Why we love this

Cohen has curated a repertoire collection that honors the intermediate violinist's need for pieces that endure. Rather than filling pages with generic arrangements, she has selected acknowledged masterworks alongside carefully chosen lesser-known works that expand the ear and hand equally. You'll return to this volume again and again because the pieces demand real musicianship without pretense.

What to expect

Opening this book feels like discovering a carefully stocked library rather than a random anthology. The Bach and Mozart selections establish clarity and structure; the Brahms and chosen works by Bartok and Wieniawski bring depth and romance. Each piece invites serious engagement without overwhelming the advancing player.

Who it's for

This collection serves the intermediate violinist who has moved beyond early method books and is ready for standard repertoire that commands respect in recital and ensemble contexts. Whether you're preparing for exams, building a solo recital, or simply seeking pieces that will remain valuable throughout your musical life, this book provides curated essential repertoire.

How to get the most out of it

  • Approach the Bach and Mozart selections as foundations for clean intonation and precise rhythmic control; these pieces reward a disciplined bow arm and steady vibrato.
  • Use the Brahms and Wieniawski works to explore expressive depth; Cohen's selections encourage you to go beyond the notes and into genuine musical storytelling.
  • Balance technical demands with musical intention; intermediate repertoire works best when technique serves the music rather than becoming the focus.

How to use it

Frame selections from this collection as anchor pieces in student recitals, alternating them with contemporary or lighter works to showcase range. The masterworks here fit naturally into chamber music programming alongside peers at similar levels, and they serve as excellent choices for examination preparation or showcase performances that demonstrate genuine progress.

Skills your students will build

  • Sustained intonation control across extended passages
  • Expressive vibrato and bow control applied to Romantic and Classical idioms
  • Musical interpretation grounded in architectural understanding of phrase structure
  • Confidence with styles spanning Baroque through early 20th century
  • Sight-reading fluency with varied musical contexts and textures

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