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Ready, Aim, Improvise!: All Instruments Book 1 & Online Audio

$39.95 USD
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Ready, Aim, Improvise! Cover Image

Ready, Aim, Improvise!: All Instruments Book 1 & Online Audio

Exploring the Basics Of Jazz Improvisation

By Hal Crook

Item: 01-ADV14217-1

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Description
As taught at Berklee College of Music READY, AIM, IMPROVISE! explores the critical areas involved in learning how to improvise, including: music theory, jazz harmony, ear training, jazz execution, jazz vocabulary, practicing, self-critiquing, career planning, and much more. READY, AIM, IMPROVISE! is filled with musical examples, exercises and practice routines that help make the learning process easy and enjoyable. The accompanying audio tracks feature modal, key-area and modulating chord progressions performed at a slow, manageable tempo. READY, AIM, IMPROVISE! is a clear, comprehensive study of the most important steps in a jazz musicians education. Don't be surprised if it gets you practicing more and playing better in no time at all! So get READY... AIM... IMPROVISE!

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Additional Details
Series: Ready, Aim, Improvise!
Publisher: Advance Music
ISBN10: 3-954810-65-4
ISBN13: 978-3-954810-65-9
SKU: 01-ADV14217-1

More about this title

About the Author: Hal Crook

Hal Crook is a jazz educator and trombonist whose teaching methods have shaped generations of improvisers, particularly through his work at Berklee College of Music. His approach bridges the gap between theoretical understanding and practical musicianship, grounding abstract concepts in the real work of learning to improvise.

Why we love this

This book treats improvisation as a learnable craft with clear, sequential steps rather than magic. Crook's Berklee pedigree means the exercises are battle-tested with students at every level, and the accompanying audio tracks remove the barrier of finding good play-alongs at manageable tempos.

What to expect

Methodical and empowering. The material unfolds logically from foundational theory through ear training, vocabulary building, and execution, creating a sense of genuine progress rather than fumbling in the dark.

Who it's for

Jazz students ready to move beyond learning heads and comping changes into actually creating solos. It works equally well for individual practice and as a directed method book for private lessons or improvisation classes.

How to get the most out of it

  • Start with the slowest tempo recordings and build accuracy before speed. Rushing through fast changes will reinforce bad habits.
  • Use the ear training exercises daily, even for just five minutes. Hearing intervals and chord qualities internally transforms how quickly you can respond during actual improvisation.
  • Record yourself improvising over the progressions and listen back without judgment. You'll catch phrasing issues and vocabulary gaps that feel invisible in the moment.
  • Work through the self-critique section after each practice session. Identifying what works and what doesn't is as important as the playing itself.

How to use it

Assign this as the core text for an improvisation elective or jazz ensemble workshop series. The modular structure lets you pull specific chapters into sectionals or small-group coaching without requiring students to work through the entire book sequentially.

Skills your students will build

  • Hearing and playing chord tones and extensions in real time
  • Constructing jazz vocabulary from scales and melodic patterns
  • Reading and responding to modal, key-area, and modulating progressions
  • Self-assessment and identifying weaknesses in improvisation
  • Translating written examples and exercises into spontaneous playing
  • Understanding jazz harmony at a functional level

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