Matthew Gerrard is a songwriter and producer who has crafted music for major studio films and television productions. His work spans pop, rock, and theatrical idioms, often designed for ensemble performance and broad audience appeal.
Why we love this
Mac Huff's arrangement captures the infectious optimism of the original film track while keeping the SAB voicing accessible and rewarding to sing. The pop sensibility translates beautifully to choral forces, and this is the kind of contemporary material that energizes student singers and audiences alike.
What to expect
Bright and propulsive, with an earworm melody that stays with singers and listeners. The arrangement pulses with modern production elements while maintaining the warmth of three-part harmony.
Who it's for
Middle and high school choirs looking for contemporary repertoire that connects with students and audiences. Equally suited to secular concert programming or pops festivals where a film tie-in adds recognition value.
How to get the most out of it
Anchor the rhythm section (bass and percussion) to the click track or recorded accompaniment so the ensemble can relax into the groove rather than rush.
Balance the solo moments with the ensemble; if using a soloist, ensure they're heard clearly without the choir covering the lyric.
Let the arrangement breathe during transitions between verses and chorus. Precision here sells the modern production feel.
Shape the final chorus to build energy gradually, resisting the urge to peak before the final eight bars.
How to use it
Program this in the second half of a concert to shift energy and mood, or feature it in a pops or popular music showcase. The familiarity of the film source makes it a strong audience connector, especially effective with a strong solo voice.
Skills your students will build
Reading contemporary pop song melodies and phrasings in a choral setting
Maintaining rhythmic precision over a steady groove
Balancing solo and ensemble textures
Singing with a modern, conversational tone while maintaining vocal blend in SAB voicing
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