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Rahoon: Part(s)

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Rahoon Cover Image

Rahoon: Part(s)

By Alfred Reed

Item: 36-B385201

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Description
Rahoon is a rapsodic work for clarinet solo and band by Alfred Reed. Using a poem by James Joyce, a haunting lament to a dead lover called "She Weeps Over Rahoon," as the basis, the work was commmissioned by the University of Delaware for the outstanding young clarinetist Eudgene F. Gonzales. The work has enjoyed many fine performances and recordings, including one by the Tokyo Kosei Wind Orchestra.

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Additional Details
Series: Master Band Series - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 8-88-852121-6
ISBN13: 979-8-88-852121-2
UPC: 660355164019
SKU: 36-B385201
Instrumentation: Solo Clarinet and Concert Band

More about this title

About the Composer: Alfred Reed

Alfred Reed (1921-2005) was one of the most prolific and performed American composers for band. His works span from accessible educational pieces to sophisticated concert works, and his output helped define the modern concert band repertoire. Reed's gift for orchestration and his understanding of wind instruments made him a favorite among directors and soloists alike.

Why we love this

Reed captured something rare here: a piece that honors both the soloist and the ensemble without diminishing either. The rhapsodic form gives your clarinetist genuine artistic freedom while the band provides sophisticated harmonic and textural support. Programming this work signals to audiences that you value chamber-like musical dialogue within the full ensemble.

What to expect

Haunting and introspective, the piece unfolds like a sustained sigh. The clarinet voice carries a tender melancholy, supported by a band that shifts between lush harmonic beds and moments of stark accompaniment. There's an elegance in its restraint and a depth in its emotional directness.

Who it's for

This work is ideal for an advancing clarinetist with solid technical facility and interpretive maturity. It's equally valuable for a concert band that wants to showcase a talented soloist within an ensemble context while maintaining artistic sophistication. Directors looking for a substantial solo vehicle that audiences will remember belong here.

How to get the most out of it

  • Allow the clarinet soloist to shape phrases with flexibility; the rhapsodic nature of the work invites rubato and expressive timing rather than metronomic precision.
  • Balance the band accompaniment so it supports without overwhelming the clarinet line. This is dialogue, not backdrop.
  • Coordinate with your soloist early on the emotional arc. The piece draws from Joyce's meditation on loss, so conversations about tone color and phrasing will deepen the performance.
  • Rehearse transitions between sections carefully; the harmonic language shifts subtly and clarity here prevents the piece from sounding diffuse.

How to use it

This works beautifully as a centerpiece in a concert devoted to American composers or as a striking contrast between high-energy works. Its modest duration and chamber-like character make it effective in programs that balance virtuosity with reflection. Consider pairing it with other works that feature prominent solo lines so the clarinet spotlight feels natural within your concert arc.

Skills your students will build

  • Expressive phrasing and rubato in a rhapsodic structure
  • Emotional storytelling through extended solo lines
  • Balance and blend between soloist and ensemble
  • Harmonic independence; reading the band's supporting role without losing clarity
  • Sustaining musical narratives across longer forms without strict metric anchoring

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