Rag-Time Dance Cover Image

Rag-Time Dance: 2 Trumpets & Keyboard Part(s)

$9.00 USD
Sale price  $9.00 USD Regular price 
Skip to product information
Rag-Time Dance Cover Image

Rag-Time Dance: 2 Trumpets & Keyboard Part(s)

By Scott Joplin / arr. David Marlatt

Level: Easy-Medium

Item: 81-TE2167

$9.00
Shipped

One moment…

Description
This is another famous Joplin rag which has been arranged here for 2 trumpets and piano. The piano part remains in the original key and trumpets play the famous melodic lines above the steady bass. The trumpets and piano alternate melodic sections. Sometimes the piano plays alone and sometimes the trumpets play the melody with the piano adding newly composed, stylistically accurate counter melodies.

Rag-Time Dance: 2 Trumpets & Keyboard Part(s) isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

No sample pages found.

Sample Audio
0:00
0:00
Sample Video
Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-55472-808-8
ISBN13: 978-1-55472-808-4
UPC: 685462009213
SKU: 81-TE2167
Instrumentation: 2 Trumpets & Keyboard

More about this title

About the Composer: Scott Joplin

Scott Joplin (1868-1917) stands as the foundational figure in American ragtime, a composer whose harmonic sophistication and structural discipline elevated what began as popular dance music into art music worthy of serious study. Born in northeastern Texas, Joplin spent his early career performing in saloons and theaters across the American South and Midwest before settling in St. Louis, where he composed the majority of his approximately 100 ragtime pieces. His works combine syncopated melodies with stride piano accompaniment and unexpected harmonic movements, creating music that demands both technical precision and interpretive sensitivity from performers.

Joplin's influence on 20th-century American music cannot be overstated. Though he died in obscurity during the jazz era, his rags have remained central to music education and concert programming, and a revival of interest in his work beginning in the 1970s confirmed his status as a master composer. His insistence on notating ragtime carefully and his resistance to improvisation reflect his view of ragtime as a legitimate compositional form, not merely a style of accompaniment. For educators and students, Joplin's works provide an essential bridge between classical form and American vernacular music.

Why we love this

David Marlatt's arrangement preserves the infectious syncopation and melodic charm of Joplin's original while creating a natural give-and-take between the trumpet voices and keyboard. The addition of stylistically accurate counter melodies in the piano part expands the harmonic texture without obscuring the source material, making this both a faithful adaptation and a genuine recomposition. For brass ensembles, this arrangement offers the rare opportunity to perform a canonical American work with authentic period character at an accessible difficulty level.

What to expect

Rag-Time Dance captures the exuberance and sophistication of early 20th-century ballroom culture, where precision and playfulness coexist. The melody bounces and syncopates above a propulsive harmonic foundation, creating an infectious energy that feels both structured and celebratory. Performing this piece requires the kind of rhythmic clarity and rhythmic independence that makes ragtime both challenging and deeply rewarding.

Who it's for

Intermediate brass duet players and small ensemble groups seeking accessible yet musically substantial repertoire can build confidence while exploring a canonical American composer. Directors programming concerts that blend classical and popular traditions will find this arrangement opens doors to conversations about ragtime's place in music history. This work suits community bands, college chamber ensembles, and advanced high school brass players.

How to get the most out of it

  • Establish the tempo with the pianist before rehearsal begins; the ragtime pulse must remain steady throughout, even as the syncopation in the melody creates the illusion of rhythmic complexity.
  • Balance the trumpet lines to ensure the melody remains prominent when both instruments play together, but allow the second trumpet's counter melodies to emerge clearly during keyboard-led sections so the arrangement's harmonic conversation stays audible.
  • Articulate the syncopated figures with light, precise tonguing; avoid rushing or dragging the off-beat accents, which define the ragtime character.
  • Listen carefully to the piano's stride bass pattern and lock your phrasing to it, using that steady foundation as a reference point even when the melody pulls rhythmically across the bar line.

How to use it

Include this arrangement on a pops or American composers concert to anchor a ragtime set, pairing it with other Joplin rags or contemporary works influenced by ragtime traditions. It also works effectively as a concert opener, where its upbeat character and clear melodic appeal immediately engage an audience. For educational contexts, program it alongside works that demonstrate how vernacular musical idioms became concert repertoire.

Skills your students will build

  • Reading and performing syncopated rhythms with metric precision
  • Balancing melodic lines in a duet while maintaining independence
  • Intonation in rapid modal shifts and chromatic harmonic movement
  • Articulation and phrasing that conveys period style without exaggeration
  • Listening to and locking with accompaniment while maintaining rhythmic autonomy

You May Also Like