Radar Love (arr. Paul Murtha): Marching Band Conductor Score & Parts
As performed by Golden Earring / Arranged by Paul Murtha
Grade: 3
Item: 35-PK00463844
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About the Artist: Golden Earring
Golden Earring formed in the Netherlands in 1961 and became one of Europe's most successful rock exports. The band's 1973 hit "Radar Love" remains a staple of classic rock radio, propelled by its unforgettable guitar riff and hypnotic groove. For music educators, Golden Earring's work represents the accessible, high-energy rock repertoire that engages students across all musical backgrounds.
The band's catalog demonstrates how rock music can sustain listener attention through repetition, dynamic contrast, and relentless rhythmic drive. These same compositional principles make their arrangements ideal teaching material for building ensemble cohesion and understanding how popular music structures differ from traditional concert hall forms.
Why we love this
Marching bands rarely get to claim genuine rock credibility, but this Paul Murtha arrangement delivers exactly that. The trombone lead on the main theme is unexpected and idiomatic, the shuffle groove sits perfectly within a marching ensemble's natural strengths, and the full band riffs create moments of genuine excitement without requiring extended ranges or extreme technical demands.
What to expect
Relentless forward motion wrapped in a rock and roll swagger. The shuffle groove gives the piece a swinging, almost bluesy character despite its contemporary origin, while the layered riffs create a sense of controlled power building toward each climax. There's genuine attitude here without pretension.
Who it's for
Grade 3 marching bands seeking contemporary material that connects with students and audiences alike. Bands looking to program beyond traditional march fare will find this arrangement accessible yet impressive enough to hold attention on the field or in the stands.
How to get the most out of it
- Lock the shuffle feel early in rehearsals by having the rhythm section establish the groove in isolation before adding melody voices. Once the pocket is secure, the entire arrangement clicks into place.
- Balance the trombone section carefully on the theme so the melody reads clearly above the supporting harmonies. This is their moment to own the sound.
- Layer the full band riffs dynamically; resist the urge to play them at full volume. Building from a solid mf to ff creates more impact than starting at peak intensity.
- Pay attention to the shuffle articulations in the winds. Clarity on the eighth notes within the triplet feel separates a sloppy performance from one that grooves hard.
How to use it
This works beautifully as a second or third selection on a marching show, offering a tonal and stylistic break from traditional openers. It also functions well as the high-energy finale to a pops concert, where its rock credentials and recognizable melodic hooks guarantee audience engagement.
Skills your students will build
- Executing shuffle rhythms with consistent articulation across multiple sections
- Balancing melody-driven and accompaniment roles within a rock texture
- Sustaining dynamic control during repetitive riff passages
- Reading and responding to distinctive stylistic grooves beyond march time