Quisisana (Mixed Choir) Cover Image

Quisisana (Mixed Choir): SSAATTBB Choir

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Quisisana (Mixed Choir) Cover Image

Quisisana (Mixed Choir): SSAATTBB Choir

By Juris Karlsons/ Words by Banuta Rubesa (1956)

Item: 98-MB0111

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Description
The term "Quisisana" refers to a place of healing or a place where you will be healed. A short work by Latvian composer Juris Karlsons for mixed choir.

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Additional Details
Publisher: Musica Baltica
ISBN10: 0-7066-5627-X
ISBN13: 979-0-7066-5627-4
SKU: 98-MB0111

More about this title

About the Composer: Juris Karlsons

Juris Karlsons is a contemporary Latvian composer whose work draws on the rich choral traditions of his homeland. His compositions for choir demonstrate a keen sensitivity to text and timbre, creating works that balance accessibility with musical substance.

Why we love this

Karlsons crafts something rare at this length: a piece that feels complete and meaningful without demanding extended rehearsal time. The concept of healing embedded in the title gives directors a clear thematic anchor for programming, and the SSAATTBB voicing allows singers across your ensemble to find secure, rewarding parts.

What to expect

Despite its modest length, Quisisana carries genuine weight. The harmonic language feels contemplative and grounded, with the kind of quiet strength that healing spaces often embody. Singers emerge from the piece feeling that they have contributed to something substantive.

Who it's for

This work suits mixed choirs with solid fundamentals across all eight voice parts and enough singers to distribute the full SSAATTBB voicing securely. It is equally valuable for a festival or concert looking for a thoughtful, thematically coherent secular piece.

How to get the most out of it

  • Balance the eight voices by checking that no single section dominates the texture; the spacing of SSAATTBB can easily favor the middle voices if the outer parts aren't encouraged to project with equal confidence.
  • Let the harmony breathe. Latvian choral writing often benefits from deliberate phrase shaping and attention to harmonic color rather than rushing through changes.
  • Rehearse sections by voice part first to ensure tuning stability in extended chords before bringing all eight voices together.

How to use it

Quisisana works beautifully as a concert closer or as a contrasting centerpiece between more energetic works. Its meditative quality makes it an excellent choice for programs with thematic coherence around wellness, hope, or resilience.

Skills your students will build

  • Balancing eight independent voice parts while maintaining unified ensemble sound
  • Reading and executing Latvian compositional language and harmonic language
  • Singing with sustained tonal control in extended harmony

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