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Quinctus: HybridNOW Concert Band Conductor Score & Parts

$80.00 USD
Sale price  $80.00 USD Regular price 
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Quinctus Cover Image

Quinctus: HybridNOW Concert Band Conductor Score & Parts

By Brad Ciechomski

Grade: 3

Item: 00-50408H

$80.00
HybridNOW

Included with this title

  • Digital music NOW — instant access to the full performance set
  • Permission to COPY all parts as needed
  • Additional PRINT score delivered separately by mail
Description
A dramatic opener or closer to your program, Quinctus, by Brad Ciechomski, is an energetic work that will make your concert one to remember. This very approachable 5/4 piece will lock in your band from bar 1. Accessible ranges, along with harmonic surprises, lyrical moments, and dramatic passages, will allow your group to shine. Quinctus, Latin for five or fifth, was specifically written to get your band easily playing in this meter. Quinctus will open or close your concert with dramatic flair.

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Additional Details
Series: Young Symphonic Series
Publisher: Alfred Music
ISBN10: 1-4706-8721-6
ISBN13: 978-1-4706-8721-2
UPC: 038081621142
SKU: 00-50408H

More about this title

About the Composer: Brad Ciechomski

Brad Ciechomski

Brad Ciechomski directs the band program at Harrison Middle School in Yarmouth, Maine, where he earned Teacher of the Year honors in 2005-2006 and was recognized as one of only 51 American teachers to receive the American Star of Teaching award in 2008. He earned both his bachelor's and master's degrees from the University of New Hampshire, where he studied composition with Andrew Boysen Jr. His commissions span all levels of ensemble, from elementary through college, and his work has been featured at the MENC national convention.

Beyond the classroom, Ciechomski maintains an active presence across New England as a clinician, adjudicator, and guest conductor at district and state festivals. He performs as a freelance drummer with regional and national artists, having shared the stage with jazz luminaries including Clark Terry, Mel Torme, Bob Mintzer, The New York Voices, and Wayne Bergeron, as well as David Crosby of Crosby, Stills and Nash. He lives in Portland, Maine with his wife, a bassist, and their two daughters.

Why we love this

Ciechomski has crafted a piece that makes 5/4 feel immediate and natural, not theoretical. The harmonic language keeps listeners engaged without overwhelming your ensemble, while the rhythmic vitality carries enough drama to anchor a concert program without requiring extensive rehearsal time to land the effect.

What to expect

Energetic and purposeful from the first bar, with harmonic intrigue beneath the forward momentum. The music alternates between assertive, driving passages and quieter introspective moments, creating a sense of architectural balance rather than relentless propulsion.

Who it's for

Grade 3 bands looking for an opening or closing statement that commands attention without excessive technical demands. This works especially well for groups building confidence in contemporary meters or preparing for festival performances where a strong first or final impression matters.

How to get the most out of it

  • Establish the 5/4 pulse early by conducting in a clear 2+3 grouping through the opening measures; ask your band to feel the weight of bar 1 rather than count defensively.
  • Balance the dramatic passages against the lyrical moments by drawing attention to where the texture thins; sudden shifts from full sonority to sparse voicing will feel more impactful with intentional dynamic control.
  • Let the accessible ranges work for you by encouraging your sections to blend within their registers; the piece gains cohesion when individual parts sit comfortably without strain.

How to use it

Use this as your concert opener to immediately signal to the audience that you have something fresh to offer; the 5/4 meter and dramatic character make it a memorable entry point. Alternatively, close your program with it if you want to send listeners home with modern energy and a sense of accomplished musicianship.

Skills your students will build

  • Reading and performing in 5/4 meter with accurate pulse and subdivision
  • Balancing individual part lines within a complex harmonic texture
  • Responding to dynamic and textural contrasts in contemporary concert music
  • Ensemble tuning and blend in unfamiliar metric contexts

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