Quatricelli: Volume 1 Cover Image

Quatricelli: Volume 1: Cello, Quartet, Conductor Score

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Quatricelli: Volume 1 Cover Image

Quatricelli: Volume 1: Cello, Quartet, Conductor Score

By David Levenson

Grade: 2.5

Item: 36-52733069

$5.95
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Description
To 4th position, all bass clef. Composers include: Mozart, Handel, Bach. Contents: Thanksgiving Hymn, Jingle Bells, Angels We Have Heard on High, Theme from Judas Maccabeus, Jesu, Der Du Meine Seele, The Scarlet Sarafan and Theme from Piano Sonata (K. 331).

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Additional Details
Series: Latham Music - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 1-62-876359-0
ISBN13: 978-162-876-3591
UPC: 659859475752
SKU: 36-52733069
Instrumentation: Cello Quartet

More about this title

Why we love this

Levenson has assembled a repertoire that respects young cellists' developing technique while offering genuine musical variety. The mix of familiar holiday material, baroque masterworks, and classical themes keeps rehearsals engaging, and the conductor score setup makes it straightforward to balance four parts without constant stopping and restarting.

What to expect

A journey through three centuries of European music distilled for four cellos. The pieces range from the warmth of Mozart and Handel to the architectural clarity of Bach, all grounded in familiar melodies and accessible harmonies that let young players focus on blending and intonation rather than struggling with unfamiliar repertoire.

Who it's for

Cellists in grades 4-6 who are solid in first position and beginning to explore 4th position work. This collection suits ensemble classes, private studio groups, or intermediate youth orchestras ready for multi-part cello literature without shifting beyond 4th position.

How to get the most out of it

  • Establish clear communication about 4th position passages before full ensemble work. Mark positions in the score so all cellists are consistent on when to shift.
  • Balance the four cello voices by ear during early rehearsals; some parts sit higher or lower than others depending on the arrangement, and awareness of who has the melody matters.
  • Use the conductor score to catch intonation issues that emerge from multiple cellos playing in unison or close harmony, especially in the baroque selections where tuning becomes transparent.

How to use it

Program individual selections as intermission pieces, or use the collection as a focused unit in a holiday concert (the hymns and seasonal material pair naturally). The conductor score makes these quartet arrangements work equally well in studio recitals or as educational demonstrations of how arranging transforms solo masterworks.

Skills your students will build

  • Reading in 4th position on cello
  • Blending multiple cello voices in all bass clef
  • Listening and adjusting intonation within a quartet texture
  • Maintaining steady tempo while reading part-specific dynamics and articulation
  • Recognizing stylistic differences between baroque, classical, and arranged folk idioms

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