The word "Quartal" refers to harmony that is based on the fourth. That only begins to capture the playful spirit of this Scherzo. Changing meters, quick exchanges between hands, and a four octave range give Quartal a broad, improvisational sound.
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Wynn-Anne Rossi is a composer whose catalog spans piano solo works, chamber music, and pedagogical pieces that balance accessibility with musical substance. Her writing for piano reveals a keen ear for texture and harmonic color, particularly in works that explore unconventional harmonic systems while maintaining genuine playfulness.
Why we love this
Rossi crafts a piece that sounds far more complex than it is to learn, giving intermediate pianists the satisfaction of playing something with genuine harmonic sophistication and rhythmic independence. The changing meters and hand exchanges create a sense of discovery that keeps both player and listener engaged, and the improvisational quality means there's room for personality in every performance.
What to expect
Quartal Scherzo bounces and darts across the keyboard with an almost playful unpredictability, as if the composer is rethinking harmony and meter on the fly. The broad range and frequent hand exchanges create a sense of space and lightness, while the quartal sonorities give the whole work a modern, slightly mysterious shimmer that keeps it from feeling earthbound.
Who it's for
Intermediate pianists ready to move beyond traditional functional harmony and explore contemporary harmonic language without sacrificing musical coherence. This piece appeals to students who enjoy a mix of technical engagement and expressive freedom, and to teachers seeking repertoire that sounds sophisticated without requiring virtuosic facility.
How to get the most out of it
Treat the quartal harmonies as color rather than something to force into a traditional harmonic framework; let them breathe and resonate cleanly so the listener hears the fourth-based sonorities clearly.
Map out the meter changes in advance so the transitions feel inevitable rather than choppy; practice each new meter signature in isolation before connecting them.
Experiment with tempo relationships between sections; the scherzo spirit invites flexibility, and small adjustments in relative speeds can heighten the improvisational feel.
Balance the four-octave range by listening for a coherent melodic or harmonic thread across the register shifts, ensuring leaps feel purposeful rather than scattered.
How to use it
Pair this with other contemporary solo works or character pieces to create a recital program that showcases harmonic variety and modern compositional approaches. Its character and length make it an excellent choice for a student recital, young composer showcase, or a concert segment exploring twentieth and twenty-first century piano writing.
Skills your students will build
Reading and navigating changing meters
Understanding quartal harmony and fourth-based sonorities
Independence between hands across an extended range
Shaping musical phrases that span wide register leaps
Interpreting contemporary notational and harmonic language
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