Putting It Together Sheet Music Preview

Putting It Together: SSA Choral Octavo

As performed by Barbra Streisand / As performed by Stephen Sondheim / Arranged by Mark Brymer

Item: 35-DS00344446

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Additional Details
Publisher: Hal Leonard
Page Count: 27
SKU: 35-DS00344446

More about this title

About the Artist: Barbra Streisand

Barbra Streisand's career has made her one of the most influential interpreters of American song. Her distinctive vocal approach and meticulous attention to lyrical detail set a standard that generations of singers study and aspire to match.

Beyond her recording legacy, Streisand's interpretations serve as a masterclass in phrasing and emotional communication. For choral directors, her recordings offer singers a reference point for how to inhabit a song with intention and presence.

Why we love this

Mark Brymer's arrangement respects the sophistication of Sondheim's songwriting while making it accessible to SSA ensembles. The voicing breathes room for genuine harmonic interest without demanding advanced vocal maturity, and the text setting honors both the lyrical and musical intent of the original.

What to expect

Introspective and searching, with moments of quiet discovery. The song captures someone wrestling with creative vision and self-doubt, building toward hard-won clarity. There's vulnerability in the arrangement that invites singers to be present rather than just technically clean.

Who it's for

Choirs with singers who have moved beyond basics and can handle the harmonic language of contemporary musical theatre without simplified voicing. This works well for groups preparing a concert that mixes classic Broadway with more sophisticated repertoire.

How to get the most out of it

  • Study Streisand's recorded version not to imitate her sound, but to understand how she navigates the phrase structure and where she finds the emotional core of each moment.
  • Balance the inner voices carefully in the harmonic sections; Sondheim's chords contain colorful extensions that disappear if any part gets covered.
  • Allow space between phrases rather than connecting everything legato. The thoughtful pauses in this song carry as much weight as the sung material.
  • Shape the dynamics gradually rather than in sudden shifts. The arc of the song depends on subtle incremental building of intensity.

How to use it

Pair this with other Sondheim selections or use it as a solo feature for a mature ensemble. It reads as a moment of reflection within a larger concert structure, making it an effective contrast to uptempo material that surrounds it.

Skills your students will build

  • Phrasing longer lines without breaking for breath at awkward moments
  • Balancing inner harmonic voices in four-part and three-part writing
  • Interpreting text with emotional specificity rather than neutral diction
  • Maintaining precise intonation in contemporary jazz-inflected harmony
  • Understanding song form and structural repetition with variation

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