Put Thou Thy Trust In The Lord (from Fret Not Thyself Because Of The Ungodly) Sheet Music Preview

Put Thou Thy Trust In The Lord (from Fret Not Thyself Because Of The Ungodly): Piano Vocal

As performed by John Camidge

Item: 35-DS00238105

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Additional Details
Publisher: Hal Leonard
Page Count: 5
SKU: 35-DS00238105

More about this title

About the Artist: John Camidge

John Camidge (1735-1803) was an English organist and composer who spent much of his career at York Minster, where he became a significant figure in late 18th-century cathedral music. His output included anthems, services, and vocal works that reflect the English church music tradition of his era, with particular attention to text setting and harmonic clarity.

Camidge's sacred music remains valued in worship and educational contexts for its directness and musical integrity. His works demonstrate how composers of the period balanced the demands of liturgical function with genuine musical substance.

Why we love this

This excerpt from a larger anthem gives vocalists a focused, manageable text setting that reveals Camidge's gift for clear harmonic writing. The piano part supports without overwhelming, making it accessible for singers developing confidence with sacred English repertoire.

What to expect

Serene and grounded. The harmonic language offers stability and conviction, with the text itself providing the emotional anchor. This is music that trusts its own simplicity to convey spiritual sincerity.

Who it's for

Intermediate to advanced vocalists and student singers building a foundation in English sacred music. Solo recitalists and church musicians will find this a practical addition to their library.

How to get the most out of it

  • Maintain steady harmonic support in the piano; let the vocal line carry the text and emotional weight without rushing through phrase endings.
  • Shape the vocal line to emphasize the text's meaning. 'Trust' calls for a grounded, confident delivery rather than lyrical sweetness.
  • Balance accompaniment texture so the singer isn't fighting against the piano; this piece benefits from transparent, lean voicing.

How to use it

Include this in a vocal recital that explores English sacred traditions, or use it in a mixed program of shorter vocal works. It works particularly well in liturgical settings or concert contexts exploring faith and devotion across repertoire.

Skills your students will build

  • Singing English diction with clarity and sensitivity to text
  • Sustaining long-line vocal phrasing over simple harmonic progressions
  • Collaborating with a pianist to balance vocal projection and accompaniment texture
  • Interpreting sacred text through musical expression

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