Put On a Happy Face: SSATB Choral Octavo

Deke Sharon's arrangement transforms this classic into a modern a cappella vehicle that feels both stylistically authentic and vocally engaging. The SSA/SSAA voicing makes it accessible to a wide range of choirs while retaining the optimism and melodic charm that made the original unforgettable. It's the kind of piece that makes your singers smile while they're learning it.

Genuinely optimistic without being saccharine, the piece carries an infectious lightheartedness that makes singers want to perform it. There's a theatrical warmth here that invites the audience into the moment rather than lecturing them about happiness.

Intermediate to advanced a cappella choirs looking for contemporary arranged repertoire that still honors its theatrical roots. This works equally well for show choirs seeking accessible material with crossover appeal and traditional concert choirs wanting to expand beyond classical arrangements.

• Nail the vowel unification in the backing voices so the melody shines without getting buried. The sweetness of this tune depends on how cleanly the harmony sits underneath.
• Treat the dynamic shape like a conversation rather than a march. Let the energy breathe and respond to the text instead of pushing through at full volume.
• Balance the jazz-influenced harmonic moments with clear diction. The wit in Adams' lyric works only if your audience can hear every word.

Pair this with other standards or contemporary pop arrangements for a concert that speaks to audiences beyond traditional choir repertoire. Its familiarity and feel-good energy make it an ideal closer or set-opener, especially for spring concerts or community outreach performances.

• Voice blending in a cappella contexts
• Jazz harmony and contemporary harmonic language
• Lyrical interpretation and comedic timing in ensemble singing
• Balance between melody and supporting voices