Pumping Nylon: Intermediate to Advanced Repertoire: Supplemental Repertoire for the Best-Selling Classical Guitarist's Technique Handbook Sheet Music Preview

Pumping Nylon: Intermediate to Advanced Repertoire: Supplemental Repertoire for the Best-Selling Classical Guitarist's Technique Handbook: Solo Guitar

Supplemental Repertoire for the Best-Selling Classical Guitarist's Technique Handbook

By Scott Tennant

Item: 00-PB-0002125

Digital Download
$20.99
Description
The pieces in this book are selected and designed around the various techniques addressed in the best-selling book Pumping Nylon. They are offered as an extension of the excercises presented in that book, and to provideconcert pieces in which to apply the various techniques discussed. The emphasis here is technique-building repertoire appropriate for study and concert performance. New compositions included are by Adam del Monte, Joe Diorio, Brian Head and Carlos Rivera. Also included is the cadenza from Rodrigo's Concierto de Aranjuez. The recording is beautifully played by Scott Tennant and Adam del Monte.

Pumping Nylon: Intermediate to Advanced Repertoire: Supplemental Repertoire for the Best-Selling Classical Guitarist's Technique Handbook: Solo Guitar isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Audio
1 Etude 11 --:--
2 Study 1 --:--

Etude 11

0:00
0:00
Sample Video
Additional Details
Series: Pumping Nylon Series
Publisher: Alfred Music
Page Count: 64
SKU: 00-PB-0002125

More about this title

About the Composer: Scott Tennant

Scott Tennant is a guitarist and pedagogue whose work has shaped how classical guitarists approach technical development and musical expression. His Pumping Nylon method became essential reading for serious students because it bridges the gap between mechanical facility and artistic playing, grounding technique in the music itself.

Why we love this

This collection treats technique as a means to musicality rather than an end in itself. Each piece directly applies the finger work, stretching exercises, and right-hand patterns from Pumping Nylon in actual concert contexts, so students finally understand why they practiced those drills in the first place.

What to expect

A collection that rewards disciplined technique with music that sings. The new works by del Monte, Diorio, Head, and Rivera sit comfortably alongside the excerpt from Rodrigo's masterpiece, creating a program that feels both modern and classical in scope.

Who it's for

Intermediate to advanced classical guitarists ready to move beyond pure technical studies and apply their facility to substantive repertoire. Students working through Pumping Nylon will find these pieces essential for bridging the gap between method work and concert performance.

How to get the most out of it

  • Return to the original Pumping Nylon exercises before rehearsing these pieces; the physical memory from daily work transfers directly into more fluid performance.
  • Record yourself playing the same passage multiple times across several days and listen back to spot where the technique breaks down under fatigue or tempo.
  • Separate the new compositions from the Rodrigo cadenza in your practice schedule since they demand different musical voices and technical priorities.

How to use it

Feature these pieces in student recitals once players have completed significant portions of the Pumping Nylon method; they provide natural anchors for studio performances or competitions where technique and artistry must be equally evident. The Rodrigo cadenza alone merits inclusion in a guitar showcase concert.

Skills your students will build

  • Translating technical exercises into expressive musical gestures
  • Building stamina for passages requiring sustained finger independence
  • Balancing right-hand tone production across classical repertoire styles
  • Interpreting contemporary compositions for solo guitar
  • Executing the technical demands of the Concierto de Aranjuez cadenza

You May Also Like