Pumping Nylon: Complete (Second Edition): Guitar Book & Online Video/Audio

This second edition transforms what was already a gold standard into an even more comprehensive resource by adding studies by Giuliani, new tremolo work, and fresh compositions from contemporary voices like Evan Hirschelman. Tennant's Daily Warm-Up Routine alone has earned its place in thousands of practice rooms because it genuinely improves technique while sounding musical. The accompanying video provides the kind of visual guidance that makes the difference between understanding an exercise conceptually and executing it correctly.

Engaging and purposeful. Unlike dry exercise collections, this book makes technique study feel rewarding by embedding exercises in musical context and pairing them with actual repertoire worth performing. There's genuine personality here; Tennant's humor and encouragement come through on the page, making practice feel like a conversation with an experienced mentor rather than a chore.

Classical guitarists from early intermediate through advanced levels who want a single, trusted source for daily technique work and concert-ready repertoire. Teachers building a structured curriculum will find this especially valuable since it combines warm-up work, etude systems, and pieces that reinforce what students are learning. Guitarists working across multiple styles benefit from Tennant's approach, which strengthens the technical foundation that transfers to flamenco, contemporary classical, and other idioms.

• Work through the Daily Warm-Up Routine consistently before tackling repertoire; the 11 exercises build left-hand and right-hand coordination that directly supports everything else in the book.
• Use the online video to check your hand position and motion, especially for right-hand techniques like tremolo and chord voicing balance where visual feedback is essential.
• Spend several weeks on Giuliani's Right-Hand Studies before moving to the concert pieces; they systematize right-hand patterns that appear throughout classical guitar literature.
• Return to the Bach and Rodrigo examples periodically throughout your study year rather than treating them as "completed" material; they reward deeper exploration at higher levels of technique.

Assign this as the core technical resource for private studio instruction or ensemble rehearsal warm-ups at the intermediate and advanced levels; guitarists can prepare the daily routine before lessons, freeing lesson time for deeper artistic work and repertoire study. The concert-worthy pieces by Head, York, Hirschelman, and the classical masters provide solid programming options for student recitals and ensemble performances throughout the year. Many teachers use this alongside other method books in a studio because it scales so well; a student can return to the same exercises for years and find new depth each time.

• Right-hand technique including tremolo, arpeggio patterns, and fingerstyle independence
• Left-hand coordination, finger strength, and positioning
• Sight-reading of intermediate to advanced classical guitar repertoire
• Chord voicing balance and clarity
• Rhythmic precision and evenness across technical passages
• Interpretive choices in works by Bach, Turina, and Rodrigo