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Pump Boys and Dinettes: Vocal Selections: Piano/Vocal/Chords Book

$19.95 USD
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Pump Boys and Dinettes: Vocal Selections Cover Image

Pump Boys and Dinettes: Vocal Selections: Piano/Vocal/Chords Book

Composed by John Foley, Mark Hardwick, Debra Monk, Cass Morgan, John Schimmel, and Jim Wann

Item: 00-30888

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Description
A musical slice of middle-America! This Tony award-nominated musical tells the story of four guys who run a roadside gas station and two gals who run the diner across the road. Titles: Serve Yourself * The Best Man * Mamaw * Be Good or Be Gone * The Night Dolly Parton Was Almost Mine * Sister * No Holds Barred * Farmer Tan * Closing Time.

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Additional Details
Publisher: Alfred Music
Page Count: 100
ISBN10: 0-7390-5498-8
ISBN13: 978-0-7390-5498-7
UPC: 038081334318
SKU: 00-30888

More about this title

About the Composer: John Foley

John Foley co-wrote Pump Boys and Dinettes with Mark Hardwick, Jim Wann, and Cass Morgan, creating one of Broadway's most distinctive American musicals. The show emerged from a 1982 off-Broadway production and became a Tony-nominated phenomenon, celebrated for its authentic portrayal of rural working-class culture and its unflinching humor. Foley's work on this musical demonstrates a gift for character-driven storytelling rooted in Americana.

Why we love this

This collection captures songs that audiences immediately connect with because they sound like they belong in an actual diner jukebox. The piano/vocal arrangements are singable and accessible without feeling simplified, giving soloists real material to sink their teeth into while keeping the accompaniment manageable for rehearsal and performance.

What to expect

You're sitting at a red vinyl booth with a cup of coffee, listening to stories about everyday life told with warmth, wit, and no pretense. The melodies stay with you long after you leave, the kind that make you hum them days later, rooted in the rhythms and speech patterns of real people doing ordinary things.

Who it's for

This book serves singers in music theater workshops, audition classes, and cabaret settings who need contemporary American repertoire with genuine character and humor. It works equally well for advanced high school singers exploring Broadway music and college-level performers building a musical theater song bag.

How to get the most out of it

  • Lean into the colloquialisms and conversational phrasing in the lyrics; these songs work best when singers treat them like overheard conversations rather than theatrical belting.
  • Balance the folk-and-country sensibility of the melodies with the harmonic sophistication in the chord progressions—the piano parts contain rich color that shouldn't get buried.
  • Let the humor land by respecting the character voices embedded in each number; these aren't abstract art songs, they're snapshots of specific people.
  • Use the chord symbols to explore different instrumental textures if you're adding accompaniment beyond solo piano—these songs adapt well to acoustic guitar, harmonica, or light percussion.

How to use it

These selections work beautifully in a musical theater revue focused on American songwriting or as individual audition pieces throughout a season. You might also use them in a show choir or chamber singing setting where contemporary musical theater with literary substance appeals to your ensemble.

Skills your students will build

  • Singing character-driven songs with authentic dialect and emotional specificity
  • Reading and interpreting chord symbols for jazz-inflected harmonic progressions
  • Balancing storytelling clarity with musical line in narrative-heavy songs
  • Collaboration between pianist and vocalist to shape phrasing and dynamics
  • Understanding contemporary American musical theater language and its relationship to folk and country traditions

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