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Puicinella: String Orchestra Conductor Score

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Puicinella: String Orchestra Conductor Score

By Igor Stravinsky / arr. Robert D McCashin

Grade: 3.5

Item: 98-ST6414S

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Description
Featuring the overture of Stravinsky's landmark work, this adaptation was drawn from the original piano/vocal ballet score, and retains all of the original, well-known thematic and rhythmic material. An ideal way to feature several soloists within the ensemble, this outstanding string arrangement will delight players and audience alike!

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Additional Details
Series: FJH String Orchestra
Publisher: The FJH Music Company, Inc.
UPC: 241444581070
SKU: 98-ST6414S

More about this title

About the Composer: Igor Stravinsky

Igor Stravinsky (1882-1971) revolutionized twentieth-century music through his fearless approach to rhythm, orchestration, and harmonic language. His works demanded new things from performers and listeners alike, and his influence shaped how composers thought about form and instrumentation for decades to come. As an educator, Stravinsky's scores remain essential teaching tools; they show students how to break rules purposefully and how clarity of intent produces powerful results.

Why we love this

McCashin's arrangement captures the irreverent wit and rhythmic vitality of Stravinsky's original without requiring the full orchestral forces; string players get to inhabit a twentieth-century masterwork that doesn't sound or feel like a simplified version. At Grade 3.5, the writing is genuinely playable while the harmonic and rhythmic vocabulary keeps the ensemble engaged intellectually.

What to expect

Playful and unpredictable, with the kind of angular charm that comes from Stravinsky's obsession with clear rhythmic lines and unexpected harmonic turns. The piece moves with sharp elbows and quick changes of direction, maintaining a theatrical energy throughout.

Who it's for

String orchestras at the intermediate level who are ready for music that challenges their rhythmic sophistication and musical maturity. Directors programming concerts that need a contemporary classic will find this arrangement efficient and genuinely rewarding for the ensemble.

How to get the most out of it

  • Emphasize the metric clarity Stravinsky demands. Even when the rhythms feel awkward on first reading, precision will make the piece snap into focus rather than sound muddled.
  • Balance the soloists carefully so they register without drowning out the section work that supports them; Stravinsky's textures depend on hearing multiple lines simultaneously.
  • Attend to the articulation markings closely. Stravinsky uses tonguing and bowing to create character and color, so those details matter more than you might initially think.
  • Let the piece breathe at phrase endings rather than pushing through them. Stravinsky's gestures are often deliberate and discontinuous.

How to use it

Position this as an anchor piece in a concert highlighting twentieth-century innovations or as a standalone feature that demonstrates how a strong arrangement can bring ensemble musicianship into focus. It pairs well with other works that value clarity and directness in texture.

Skills your students will build

  • Reading complex, irregular rhythmic figures without losing metric stability
  • Balancing soloistic passages within ensemble sections
  • Executing precise articulation as a textural and expressive tool
  • Navigating rapid changes in harmonic language and register
  • Maintaining clarity in polyphonic textures with multiple simultaneous lines

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