Psalms of David (Saxophone Part) Cover Image

Psalms of David (Saxophone Part): Solo Voice & Instruments

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Psalms of David (Saxophone Part) Cover Image

Psalms of David (Saxophone Part): Solo Voice & Instruments

By Eriks Ešenvalds/Biblical Text

Item: 98-MB1038ASAX

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Description
Beautiful setting of three Psalms by Latvian composer Eriks Ešenvalds. (Psalm 23; Psalm 23; Psalm 13

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Additional Details
Publisher: Musica Baltica
ISBN10: 0-697-95770-5
ISBN13: 979-0-697-95770-1
SKU: 98-MB1038ASAX

More about this title

About the Composer: Eriks Ešenvalds

Eriks Ešenvalds is a Latvian composer whose choral and vocal works have gained international recognition for their luminous harmonies and spiritual depth. His settings of sacred texts draw on both contemporary compositional techniques and the rich traditions of Baltic music, creating pieces that feel both modern and timeless.

Why we love this

Ešenvalds brings fresh harmonic color to these familiar Psalms without overwhelming them. The instrumentation provides real support and conversation for the solo voice, making this accessible for singers who need space to breathe and grow into the text.

What to expect

Introspective and meditative, with moments of luminous beauty. The harmonic language feels modern without sacrificing clarity, and the chamber scoring creates an intimate atmosphere that invites listeners into contemplation.

Who it's for

This work suits advanced high school or college choirs and chamber singers who have experience with contemporary sacred music. It also works well for vocalists exploring art song literature with instrumental accompaniment beyond traditional piano.

How to get the most out of it

  • Let the chamber ensemble establish the harmonic foundation before the vocalist enters; this prevents the solo line from feeling unsupported in early rehearsals.
  • Pay attention to where the instruments double or shadow the vocal line versus where they move independently; these moments of textural contrast shape the emotional arc.
  • Balance the saxophone part to complement rather than compete with the vocalist, especially in passages where both occupy a similar register.

How to use it

Consider pairing this with other contemporary sacred settings in a concert focused on modern approaches to psalm texts. It also works as a centerpiece for an evening exploring Latvian or Baltic composers, or as a meaningful addition to a service of music.

Skills your students will build

  • Singing with instrumental ensemble independence
  • Interpreting contemporary harmonic language
  • Balancing sustained vocal lines with moving accompaniment
  • Text painting in a non-traditional harmonic context

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