Proud (arr. Roger Emerson): SATB Choral Octavo

Roger Emerson's arrangement captures the forward momentum and radio-friendly hook of the original while giving each voice part something genuinely musical to sing. The arrangement respects what makes the song work in the first place, never sacrificing singability for complexity.

Bright and propulsive, with an undeniable forward motion. The arrangement captures the song's inherent optimism and builds a sense of collective celebration that feels earned rather than forced.

Choirs seeking contemporary material that doesn't require students to compromise their musical standards. Directors programming pop repertoire will find this accessible enough for developing choirs yet substantial enough to hold an audience.

• Keep the pulse moving without rushing; the song's energy comes from rhythmic clarity rather than tempo extremes.
• Balance the melody line across your sopranos and altos so no single voice carries the tune for too long, creating dialogue instead of isolation.
• Pay attention to how Emerson voices the harmonic changes; they're economical and punchy, so clear attacks from all four parts matter.

This works exceptionally well in a mixed repertoire concert where you want contemporary material that still sounds intentional and arranged. It can bridge audiences unfamiliar with modern pop and those who know the original.

• Rhythmic precision in contemporary pop idioms
• Balancing independence and blend across all four voice parts
• Shaping phrases in modern music without traditional harmonic scaffolding
• Ensemble musicianship with syncopated and straightforward sections