Progressive Jazz Studies for B-flat Clarinet, Book 2 Cover Image

Progressive Jazz Studies for B-flat Clarinet, Book 2: Clarinet Book

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Progressive Jazz Studies for B-flat Clarinet, Book 2 Cover Image

Progressive Jazz Studies for B-flat Clarinet, Book 2: Clarinet Book

By James Rae

Level: Intermediate

Item: 12-0571516572

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Description
This is the second book of Progressive Jazz Studies and it includes over 40 original studies for the developing jazz clarinetist. In the first section the book shows players how to take a tune and 'jazz it up', they learn to craft a simple, rhythmic jazz solo from any well-known tune. Section two teaches about various jazz tonalities

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Additional Details
Series: Faber Edition
Publisher: Faber Music
ISBN10: 0-571-51657-2
ISBN13: 978-0-571-51657-5
UPC: 9780571516575
SKU: 12-0571516572

More about this title

About the Author: James Rae

James Rae is a prolific composer and educator whose work spans classical, wind band, and jazz idioms. His method books are built on the conviction that students learn best when they understand the 'why' behind musical conventions, not just the mechanics. Rae's jazz studies have become staples in clarinet studios because they balance systematic skill-building with genuine musicality.

Why we love this

Book 2 moves past scales and patterns into real jazz musicianship. The two-part structure respects how jazz actually works: you learn to ornament and reshape melody before diving into harmonic territory. A clarinet section that tackles these studies will sound noticeably more idiomatic when they hit your next jazz combo or ensemble piece.

What to expect

The studies crackle with the rhythm and swing of real jazz, grounded in the warm, woody character the clarinet brings to the idiom. You'll feel yourself developing agency as a soloist rather than simply executing notes on a page.

Who it's for

Intermediate clarinetists ready to move beyond straight concert music into jazz language. This works best for students who already read fluently and have basic jazz vocabulary but need structured guidance to develop convincing solos and understand harmonic color.

How to get the most out of it

  • Record yourself playing the studies without accompaniment first, then add the backing tracks. Hearing your own phrasing isolated helps you catch rhythmic stiffness before the ensemble hears it.
  • Focus on the rhythmic specificity in Section One. Jazz 'flavor' lives in where you place the note, not just which note you play. Count carefully against the drum track.
  • Treat the tonality studies in Section Two as listening exercises before playing them. Sing the sound in your head; your embouchure will follow more naturally than if you rely on fingering patterns alone.

How to use it

Assign these as part of jazz ensemble curriculum, or use them in sectional rehearsals to raise the musicality of clarinetists in your combo. They also work well as solo material for a jazz recital or informal performance day, since the studies double as musically satisfying performance pieces.

Skills your students will build

  • Reharmonizing and embellishing a melody
  • Building rhythmically coherent jazz phrases
  • Identifying and executing jazz tonalities (modes, blues tonality, chromatic alterations)
  • Understanding swing articulation and phrasing placement
  • Translating harmonic knowledge into soloistic choices

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