Proclaim The Lord Sheet Music Preview

Proclaim The Lord: SATB Choral Octavo

By Ruth Ann Somervell

Item: 35-DS01273418

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$2.99
Description

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Additional Details
Publisher: Hal Leonard
Page Count: 5
SKU: 35-DS01273418

More about this title

About the Composer: Ruth Ann Somervell

Ruth Ann Somervell is a composer whose choral works reflect a deep commitment to accessible, singable writing. Her pieces balance musical substance with practical considerations for church and community choirs, earning her recognition as a trusted voice in sacred and secular choral music.

Why we love this

Somervell writes with clear harmonic direction and vocal lines that sit naturally in each voice part. The a cappella texture demands genuine ensemble listening skills while remaining achievable for intermediate choirs without sacrificing musical interest.

What to expect

The piece unfolds with confidence and clarity, its a cappella scoring creating intimacy while the text proclamation gives it forward momentum. There is warmth in the harmonic movement and directness in the choral writing that feels both contemporary and rooted.

Who it's for

Community and church choirs at the intermediate level will find this octavo both rewarding to rehearse and satisfying to perform. The five-page length makes it manageable for groups building their a cappella repertoire.

How to get the most out of it

  • Balance the soprano line carefully so it leads without dominating; this piece relies on blend across all four parts.
  • Establish a steady pulse without a conductor's beat by having singers lock into one another's breath patterns during sustained chords.
  • Shape phrases through dynamic contour rather than artificial stress on syllables to preserve clear text delivery.

How to use it

Consider pairing this with other unaccompanied works to create a focused set that showcases your ensemble's vocal control and precision. It works particularly well as an opener or closer within a longer program.

Skills your students will build

  • A cappella intonation and tuning adjustment without instrumental support
  • Independent line singing within four-part harmony
  • Phrase shaping and breath control across longer melodic spans
  • Ensemble balance and blend in close harmonic writing

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