Procession of the Sardar (from <I>Caucasian Sketches</I>) Cover Image

Procession of the Sardar (from <I>Caucasian Sketches</I>): Concert Band Conductor Score & Parts

$70.00 USD
Sale price  $70.00 USD Regular price 
Skip to product information
Procession of the Sardar (from <I>Caucasian Sketches</I>) Cover Image

Procession of the Sardar (from Caucasian Sketches): Concert Band Conductor Score & Parts

By Mikhail Ippolitov-Ivanov / arr. Calvin Custer

Grade: 3 (Medium Easy)

Item: 00-BD9508

makemusic Cloud badge
$70.00
Shipped

One moment…

Description
Throughout his compositional career, Mikhail Mikhaylovich Ippolitov-Ivanov (a pupil of Rimsky-Korsakov) was fascinated with things oriental, and often wrote with a folksong-based programmatic nationalism. Calvin Custer has transformed this section of Ippolitov-Ivanov's orchestral suite Caucasian Sketches into a superior work for concert band. The essence of mystery vividly transfers from the orchestral medium to winds and percussion. (4:10)

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Procession of the Sardar (from Caucasian Sketches): Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

Sample Pages

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: Belwin Concert Band
Publisher: Alfred Music
Page Count: 266
UPC: 029156174793
SKU: 00-BD9508

More about this title

About the Composer: Mikhail Ippolitov-Ivanov

Mikhail Ippolitov-Ivanov (1859, 1935) studied composition under Nikolai Rimsky-Korsakov at the St. Petersburg Conservatory, absorbing the Russian nationalist tradition and its rich approach to orchestration. Throughout his career, he drew inspiration from the diverse musical cultures surrounding the Russian Empire, particularly the Caucasus region, channeling these influences into programmatic works that balanced folkloric authenticity with sophisticated harmonic language.

As a conductor and educator, Ippolitov-Ivanov shaped Russian musical life for decades, holding posts at the Moscow Conservatory and directing major orchestras. His gift for orchestral color and his ability to translate geographic and cultural impressions into vivid musical narratives made him a natural bridge between Rimsky-Korsakov's generation and the emerging 20th century. Caucasian Sketches remains his most enduring work, a suite that captures the spirit of a region through music that feels both exotic and deeply Russian.

Why we love this

Calvin Custer's transcription captures every atmospheric detail of the original orchestration without asking your band to do the impossible. The Grade 3 difficulty makes it accessible to solid high school and competitive college bands, yet the writing never shortchanges the mystery and pageantry that defines this masterwork. It's a piece that sounds far more sophisticated than its technical demands suggest, perfect when you want your ensemble to project confidence and color.

What to expect

A caravan moving through desert hills at dusk: steady, hypnotic, and shrouded in an exotic calm that occasionally flares into regal pageantry. The music unfolds with the patience of a folktale, its melodies rising and falling like sand dunes, punctuated by percussion that evokes distant bells and drums.

Who it's for

Directors programming festival or contest events who want a masterwork that impresses adjudicators without overwhelming a developing ensemble. Intermediate bands seeking repertoire that builds confidence through accessible technical writing while delivering sophisticated musical maturity.

How to get the most out of it

  • Shape the opening melody with gentle dynamic contours rather than playing it straight; the Eastern character depends on expressive phrasing that hints at improvisation.
  • Balance the low brass and baritone sax lines carefully during the march sections so they support rather than dominate the upper woodwind countermelody.
  • Use the percussion strategically to define rhythm without overwhelming the band's collective sound; the timpani especially should anchor texture, not drive it.
  • Allow slight flexibility in tempo during the more lyrical passages to let the orientalist flavor breathe before snapping back for the processional sections.

How to use it

This works beautifully as a centerpiece in a world music or Russian repertoire concert, or as an opener that sets a sophisticated tone for your festival performance. Pair it with other Romantic-era pieces to build a thematic program around nationalism and cultural expression, or use it to transition your band's repertoire from lighter fare into more ambitious concert works.

Skills your students will build

  • Balancing melodic and harmonic lines across distributed instrumentation
  • Responding to programmatic content through dynamic and tonal choices
  • Sustaining ensemble focus during extended lyrical passages
  • Executing stylistically appropriate articulation in non-traditional (Eastern) melodic contexts
  • Coordinating rhythmic precision between march-like and rubato sections

You May Also Like