Prince Igor, Act II: Polovtsian (Polovetsian) Dances Cover Image

Prince Igor, Act II: Polovtsian (Polovetsian) Dances: Conductor Score

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Prince Igor, Act II: Polovtsian (Polovetsian) Dances Cover Image

Prince Igor, Act II: Polovtsian (Polovetsian) Dances: Conductor Score

By Alexander Borodin / arr. Rimsky-Korsakov, Bradburd, Nieweg

Item: 36-A133601

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Description
From the end of Act 2 from Borodin's opera Prince Igor, which remained unfinished at the time of the composer's death in 1887, this most famous version of the Polovtsian Dances (or Polevetsian Dances) was orchestrated by Nikolai Rimsky-Korsakov.  While the music includes choral/vocal parts, those are often omitted when performed as an orchestral showpiece.  This edition has been edited by Nancy M. Bradburd and Clinton F. Nieweg. Instrumentation: 2+1.2(2dEH).2.2: 4.2.3.1: Timp.Perc(4-5): Hp: Str(9-8-7-6-5 in set): (Mix Chor).

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Additional Details
Series: Nieweg Performance Editions - Kalmus
Publisher: Keiser Productions, Inc.
ISBN10: 1-58-106778-x
ISBN13: 978-1-58-106778-1
UPC: 679360635766
SKU: 36-A133601
Instrumentation: 2+1.2(2dEH).2.2: 4.2.3.1: Timp.Perc(4-5): Hp: Str(9-8-7-6-5 in set): (Mix Chor)

More about this title

About the Composer: Alexander Borodin

Alexander Borodin (1833-1887) was a Russian composer whose musical output was limited by his demanding career as a chemist and professor. Despite composing in his spare time, he created works of remarkable originality and orchestral color, with Prince Igor standing as his most ambitious operatic project. The opera remained unfinished at his death; Nikolai Rimsky-Korsakov and Alexander Glazunov completed it based on Borodin's sketches.

Borodin's harmonic language and gift for memorable melody deeply influenced Russian musical nationalism. The Polovtsian Dances exemplify his mastery of orchestration and exotic musical color, combining Russian and Central Asian musical elements into music of visceral theatrical power.

Why we love this

This is a centerpiece that commands attention without overextending your ensemble's technical resources. The orchestration showcases chamber orchestra clarity while delivering the dramatic weight and color that audiences remember long after the final note. Rimsky-Korsakov's orchestration transformed Borodin's sketches into an enduring staple that rewards conductors willing to shape its sweeping lines and exploit the brilliant percussion and harp colors.

What to expect

A window into a world of steppes and celebration, lush with exotic color and rhythmic vitality. The music swells with sensual brass lines and shimmering harp effects, then shifts into crisp, energetic dance rhythms that feel both ancient and immediate. There is theatrical generosity here, a willingness to let melodies breathe and orchestral moments fully bloom.

Who it's for

Conductors leading chamber orchestras or smaller symphonic ensembles who want a work with genuine dramatic impact and orchestral sophistication. This edition serves conductors seeking a dependable score that can be performed with or without the choral components, depending on performance context and available forces.

How to get the most out of it

  • Balance the harp arpeggios against the string foundation without letting them become merely decorative; they drive the harmonic movement and need presence in the hall.
  • Shape the brass entrances with clear articulation and controlled vibrato to maintain the music's exotic character rather than settling into standard operatic weight.
  • Treat the percussion section (particularly timpani and cymbals) as essential voices rather than accompaniment; their rhythmic precision and timbral choices reshape the entire orchestral color.
  • Establish a flexible approach to tempo within the marked sections; the music breathes best when phrasing guides tempo slightly rather than a metronomic pulse driving it.

How to use it

This works magnificently as the dramatic arc of a concert, positioned to close a first half or provide a thrilling finale. Its length and intensity make it a natural anchor piece that can balance a program of lighter chamber works or serve as the capstone to a Russian music celebration.

Skills your students will build

  • Conducting sustained, vocal-style phrasing in an instrumental context
  • Balancing multiple orchestral voices across varied textures and colors
  • Coordinating complex percussion parts with sustained harmonic motion
  • Managing flexible tempos and rubato within a structured orchestral framework

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