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Pride of the Highlands: String Orchestra Conductor Score & Parts

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Pride of the Highlands Cover Image

Pride of the Highlands: String Orchestra Conductor Score & Parts

By Katie O'Hara LaBrie

Grade: 3.5

Item: 98-ST6533

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Description
Journey to the vast countryside of Scotland as you imagine the sound of bagpipes rolling over a heather moor. Memorable melodies abound in every part, portraying the strength and pride of the Scottish Highlanders as well as the beauty of the Highlands. Ideal for expanding range, rhythmic understanding and musical expression.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Pride of the Highlands: String Orchestra Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: FJH String Orchestra
Publisher: The FJH Music Company, Inc.
UPC: 241444437384
SKU: 98-ST6533

More about this title

About the Composer: Katie O’Hara LaBrie

Katie O’Hara LaBrie

Katie O'Hara LaBrie brings fifteen years of orchestra teaching experience from Fairfax County, Virginia, to her work as a composer, conductor, and cellist. She studied music education at St. Olaf College under Steven Amundson and earned her master's in instrumental conducting from George Mason University with Anthony Maiello. Her compositions consistently earn recognition as J.W. Pepper Editor's Choice selections and have been performed at the Midwest Band and Orchestra Directors Clinic and American String Teachers Association Conference.

LaBrie composes with educators in mind, drawing inspiration from family, nature, and her classroom work to create music that balances pedagogical value with genuine entertainment for performers and audiences. In 2022, Yamaha honored her as one of their "40 Under 40" for her impact on music education. She founded the Fairfax Chamber Players and co-created "the Big IDEA" practice method, reflecting her commitment to purposeful musical learning. She lives in Virginia with her husband Joe, a middle school band director, and their son Liam.

Why we love this

This arrangement captures Scottish character without relying on surface-level arrangements. Every string part carries melodic weight, ensuring that no one section sits passively, which builds ensemble awareness and keeps rehearsals engaging across all ability levels. The Grade 3.5 difficulty sits in a sweet spot for intermediate orchestras looking to program something substantial enough for a festival but accessible enough to polish in a reasonable rehearsal timeline.

What to expect

Sweeping and contemplative, with moments of spirited energy that recalls Highland tradition. The melodies unfold with purpose and warmth, painting scenes of open moorland and cultural pride rather than stating them outright.

Who it's for

Intermediate string orchestras preparing for festivals or concerts who want repertoire that develops musicianship without sacrificing accessibility. Directors seeking a piece that engages all four string sections equally and leaves audiences with a clear emotional impression.

How to get the most out of it

  • Shape the Scottish melodies with clear phrase arcs rather than playing them straight through. Let your first violins breathe at natural cadences, and the lower strings will follow naturally.
  • Balance the imagined bagpipe lines across sections. These aren't solos; they're a collective texture that needs blending, so check that no single voice overwhelms.
  • Attend to rhythmic precision in the passages that depict Highland energy. Crisp attacks and aligned bow changes give the strength and pride of the piece room to breathe.
  • Use the conductor score to identify where each section carries thematic material, then mark those measures in parts so students understand why they're important to the overall landscape.

How to use it

Pair this with a contemporary work and a classical standard to create a program that shows range and depth. Its festival-ready polish makes it ideal for spring concerts, and the Scottish cultural context opens doors for interdisciplinary themes with literature or history classes.

Skills your students will build

  • Phrasing and breath control across longer melodic lines
  • Ensemble balance when multiple sections carry thematic material simultaneously
  • Rhythmic precision in energetic passages that demand crisp articulation
  • Sectional independence and confidence in supporting roles
  • Expression through dynamic shaping in lyrical contexts

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