Price: The Sea Swallow, The Old Boatman & The Goblin and the Mosquito Cover Image

Price: The Sea Swallow, The Old Boatman & The Goblin and the Mosquito: Piano Sheet

$7.99 USD
$7.99 USD
Skip to product information
Price: The Sea Swallow, The Old Boatman & The Goblin and the Mosquito Cover Image
Price: The Sea Swallow, The Old Boatman & The Goblin and the Mosquito: Piano Sheet

Price: The Sea Swallow, The Old Boatman & The Goblin and the Mosquito: Piano Sheet

By Florence Price / Edited by Gayle Kowalchyk & E. L. Lancaster

Level: Early Intermediate

Item: 00-50557
$7.99
Shipped

One moment…

Description
By the early 1950s, Florence Price had experienced success as both a composer of major instrumental works as well as teaching pieces for elementary and intermediate students. In 1951, the Clayton F. Summy Co. published three of her solos for students---"The Sea Swallow," "The Old Boatman," and "The Goblin and the Mosquito." This publication includes these three solos under one cover.

Price: The Sea Swallow, The Old Boatman & The Goblin and the Mosquito: Piano Sheet isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Request This Title

Tell us you want it.

Start Your Free Trial

Explore everything that's ready to play right now.
Sample Pages

Sample Audio
No sample audio found.
Sample Video
No sample videos found.
Additional Details
Series: Alfred Masterwork Edition
Publisher: Alfred Music
ISBN10: 1-4706-7784-9
ISBN13: 978-1-4706-7784-8
UPC: 038081602196
SKU: 00-50557

More about this title

About the Composer: Florence Price

Florence Price (1887-1953) broke barriers as the first African American woman to have a symphony performed by a major American orchestra. A pianist, composer, and educator, she created works across genres, from large-scale orchestral pieces to accessible teaching repertoire that brought classical music to young students. Her pedagogical compositions were intentional: they were musically substantial while remaining within reach for developing pianists.

Why we love this

Price's teaching pieces carry genuine compositional voice rather than generic student fare. These three solos balance melodic appeal with harmonic interest, giving young pianists music worth learning rather than merely technical exercises. Their programmatic titles invite storytelling and engagement, making them memorable choices for student recitals.

What to expect

Three distinct musical snapshots, each with its own character. 'The Sea Swallow' darts with energy and lightness, 'The Old Boatman' unfolds with quiet dignity and contemplation, and 'The Goblin and the Mosquito' offers playful charm and whimsy. Together, they showcase Price's gift for capturing mood through melody and harmony.

Who it's for

Early intermediate pianists seeking repertoire with personality and substance. Teachers looking for teaching pieces that do not compromise artistic merit. Students ready to explore American classical music and composers beyond the European canon.

How to get the most out of it

  • Notice the character implied by each title and shape your phrasing accordingly. 'The Sea Swallow' calls for brightness and lift, while 'The Old Boatman' suggests a steadier, more reflective mood.
  • Attend to the harmonic colors Price uses. She moves beyond simple triadic harmony in these pieces, so let your ears guide you through the progressions rather than defaulting to mechanical rhythmic playing.
  • Keep your tempo flexible within the marked tempo range. These pieces reward slight rubato that honors the pictorial quality each title suggests.

How to use it

Feature these as a group in a student recital to highlight Price's pedagogical voice and introduce listeners to an underrepresented composer. Alternatively, program individual pieces across different recitals to build familiarity with Price's style over time. Their moderate length makes them ideal filler pieces in longer concert programs.

Skills your students will build

  • Pedal control in pieces with sustained harmonic colors
  • Independence between hands when melody and accompaniment have different rhythmic patterns
  • Interpretation of tempo and dynamic markings that convey character
  • Recognition of harmonic progressions beyond basic triads

You May Also Like