Price Tag: 3-Part Mixed, a cappella Choral Octavo
Words and music by Claude Kelly, Bobby Ray Simmons, Lukasz Gottwald, and Jessica Cornish / arr. Bryan Sharpe
Item: 00-PO-0007120
$2.10
Minimum order quantity: 20 copies
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Description
Jessie J's most recognizable hit was featured in the fan-favorite movie Pitch Perfect. This contemporary a cappella treatment is just right for developing groups. Three conservative voice parts, a moderate-range solo (or small group), and notated vocal percussion pave the way for teens to successfully perform this popular style.
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Additional Details
Series:
Alfred Pop Choral Series
Publisher:
Alfred Music
Page Count:
12
SKU:
00-PO-0007120
More about this title
About the Composer: Claude Kelly
Claude Kelly is a songwriter and producer who has crafted pop hits across multiple decades, earning recognition for his work on tracks that define contemporary radio. His compositions balance accessibility with musicality, making them natural fits for choral adaptation and student performance.
Why we love this
Bryan Sharpe's arrangement strips away production flourishes and replaces them with notated vocal percussion, giving young singers permission to perform a genuinely current song without oversimplifying the melody or harmonic interest. The three-part voicing sits comfortably for developing choirs while the moderate solo line keeps the focus on the song's emotional core rather than demanding technique beyond the group's reach.
What to expect
The arrangement captures the infectious, playful energy of the original while maintaining the stripped-down intimacy that a cappella brings. It feels modern and engaging, the kind of song that sounds like the singers chose it because they actually like it, not because it was assigned to them.
Who it's for
Developing choirs ready to tackle contemporary repertoire with confidence. High school treble or mixed ensembles benefit most from the approachable voicing and relatable material, though the arrangement also works for middle school groups with solid rhythm fundamentals.
How to get the most out of it
- Establish the vocal percussion part early in rehearsal as its own section, then layer the harmony voices on top. This grounds the modern sound and gives singers a rhythmic anchor they recognize from the recorded version.
- Work the solo line separately, then rotate singers through it. The range is approachable, but the emotional vulnerability of the melody comes through best when singers feel secure enough to phrase it with conviction.
- Keep the a cappella texture transparent by resisting the urge to add dynamic weight in the lower parts. These three voices need space to breathe, especially in the opening sections.
How to use it
Pair this with other contemporary pop arrangements for a concert that speaks to your singers' own listening habits. It also works as a winter or spring program opener, establishing a relaxed, accessible tone before moving into more traditional selections. The recognizable melody makes it an excellent choice for community events and pep rallies where engagement matters.
Skills your students will build
- Vocal percussion notation reading and execution
- Balancing solo and ensemble texture in a cappella settings
- Intonation in three-part mixed voicing without instrumental support
- Phrasing and interpretation of contemporary pop melody
- Rhythmic precision in pop-influenced vocal arrangements