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preSage: Full Scores

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preSage Cover Image

preSage: Full Scores

for Orchestra

By Ørjan Matre

Item: 98-EP14332

$91.00
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Description
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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 58
ISBN10: 0-01-413197-8
ISBN13: 979-0-0141-3197-5
SKU: 98-EP14332

More about this title

About the Composer: Ørjan Matre

Ørjan Matre is a Norwegian composer whose work spans orchestral, chamber, and vocal genres. His writing demonstrates a sophisticated approach to timbre and structural clarity, with particular strength in string textures that reward both ensemble precision and expressive depth.

Why we love this

Matre's full score gives you complete control over balance and interpretation across all string sections. At 58 pages, this is a substantial work that rewards careful study and reveals its architecture through the conductor's vantage point.

What to expect

Contemporary string writing that balances lyricism with textural innovation. The work unfolds with deliberate pacing and intricate layering that draws listeners into a carefully constructed sonic world.

Who it's for

String orchestra conductors and teachers preparing this work for performance. This full score is essential for anyone directing the piece in rehearsal or concert.

How to get the most out of it

  • Study the full score before sectional rehearsals to identify where individual sections need reinforcement or transparency
  • Pay attention to divisi passages; mark your parts clearly so players know exactly which staff they follow
  • Use the score to shape phrase arcs across all voices; string textures can blur if sections don't breathe together

How to use it

Program this as a centerpiece for a chamber or full string orchestra concert, or use it to anchor a contemporary music festival alongside other modern works for strings.

Skills your students will build

  • Reading and conducting multi-section string textures
  • Balancing divisi passages and independent string lines
  • Interpreting contemporary compositional techniques from the conductor's perspective

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