Premier Piano Express, Repertoire Book 2 Sheet Music Preview

Premier Piano Express, Repertoire Book 2: Piano

By Dennis Alexander, Gayle Kowalchyk, E. L. Lancaster, Victoria McArthur, and Martha Mier

Level: 2

Item: 00-PB-0000977

Digital Download
$9.99
Description
Alfred's Premier Piano Express, Repertoire Book 2 includes motivational music in a variety of styles. Designed to reinforce concepts introduced in Premier Piano Express, Book 2, the music can be used as supplementary repertoire for any method. All music (including one duet) was composed or arranged by Dennis Alexander and Martha Mier.

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Additional Details
Series: Premier Piano Course
Publisher: Alfred Music
Page Count: 40
SKU: 00-PB-0000977

More about this title

About the Composer: Dennis Alexander

Dennis Alexander

Dennis Alexander has shaped educational piano literature since 1986, when he began his partnership with Alfred Music Publishing. Over four decades, his output of more than 400 compositions and arrangements has established him as a central figure in piano pedagogy, known for writing music that students genuinely want to play. He held the position of piano department chair at the University of Montana for nearly a quarter-century, where he taught applied piano, class piano, and piano pedagogy before relocating to California to continue teaching at Cal State Fullerton and Cal State Northridge.

Beyond the studio and classroom, Alexander maintains an active performance career as soloist, accompanist, and chamber musician. He has collaborated with internationally recognized artists and has been invited to conduct master classes at national conventions and judge competitions worldwide, including performances and workshops throughout Asia. A native of Kansas and graduate of the University of Kansas, Alexander continues to compose, arrange, and tour from his home in Albuquerque while remaining actively engaged with Alfred Music Publishing.

Why we love this

Alexander's writing at this level balances accessibility with genuine musicality. The repertoire reinforces method concepts without feeling like drill work, which means students stay engaged while their fingers and ears absorb the fundamentals. The variety of styles keeps recital programming fresh and gives every student a piece that matches their personality.

What to expect

This collection spans multiple moods and textures, from gentle character pieces to energetic rhythmic studies, all crafted to feel playable and satisfying. The writing respects the developing student's hand span and technical range while offering enough harmonic and melodic interest to hold attention, both in the practice room and on stage.

Who it's for

Young piano students completing Book 2 of Premier Piano Express or any comparable Level 2 method. These pieces work equally well as reinforcement for students progressing through the course or as supplementary recital material for those ready to perform beyond their method book.

How to get the most out of it

  • Match the character of each piece to its style indication. Alexander's stylistic markings tell the story; respect them as carefully as you would tempo and dynamics.
  • Use the duet strategically in a studio recital or lesson exchange. Duet playing builds listening skills and makes performance feel less isolating for younger students.
  • Anchor hand position for pieces that stay in consistent registers. At Level 2, students benefit from knowing exactly where their hands sit before they begin, reducing tension and hesitation mid-piece.
  • Explore the variety intentionally during practice. Rotating between contrasting styles helps students develop adaptability and prevents the repertoire from feeling monotonous.

How to use it

Slot these pieces into recitals where you want to showcase student progress and style range without stepping into Level 3 territory. The duet and single pieces combine easily with method book selections or with repertoire from other Level 2 collections, giving you flexibility in programming length and difficulty arc.

Skills your students will build

  • Reading and executing stylistic markings (legato, staccato, tempo variation)
  • Hand independence between treble and bass clefs
  • Sustained focus through pieces in multiple contrasting styles
  • Confidence in duet playing and listening to a partner
  • Refined dynamic control and phrasing within a limited technical range

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