Premier Piano Course, Universal Edition Theory 1B Cover Image

Premier Piano Course, Universal Edition Theory 1B: Piano Book

$9.99 USD
Sale price  $9.99 USD Regular price 
Skip to product information
Premier Piano Course, Universal Edition Theory 1B Cover Image

Premier Piano Course, Universal Edition Theory 1B: Piano Book

By Dennis Alexander, Gayle Kowalchyk, E. L. Lancaster, Victoria McArthur, and Martha Mier

Level: 1B

Item: 00-23870

$9.99
Shipped

One moment…

Description
The Universal Edition is designed for all English-speaking countries outside of the United States, including Canada, the U. K., and Australia. The edition uses the British system of terminology for rhythmic values such as "crotchet" for quarter note. This book correlates with the Lesson Book 1B (Universal Edition) Alfred Item #23863.

Premier Piano Course, Universal Edition Theory 1B: Piano Book isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: Premier Piano Course
Publisher: Alfred Music
Page Count: 48
ISBN10: 0-7390-3760-9
ISBN13: 978-0-7390-3760-7
UPC: 038081259987
SKU: 00-23870

More about this title

About the Author: Dennis Alexander

Dennis Alexander

Dennis Alexander has shaped piano pedagogy since his 1986 partnership with Alfred Music Publishing began. Over four decades, his output of more than 400 compositions and recordings has established him as one of the most influential creators of educational piano literature in the world, with works spanning every proficiency level from beginner through advanced.

Alexander's career has bridged studio teaching and institutional leadership. He spent 24 years at the University of Montana as a piano pedagogy instructor and department chair, then moved to California where he held faculty positions at Cal State Fullerton and Cal State Northridge while maintaining a private studio. His work as a recitalist, chamber musician, and collaborative artist has taken him across the globe, from Carnegie Recital Hall to performance tours in Southeast Asia and competitions in India. Now based in Albuquerque, he continues composing and conducting clinics at state and national music teachers conventions.

Why we love this

This book delivers exactly what early elementary students need to understand music notation: clear theory concepts paired with hands-on writing exercises that reinforce what they're learning in their lesson book. The British terminology keeps it regionally authentic for UK, Canadian, and Australian teachers while the 48-page format stays focused and manageable without overwhelming young learners.

What to expect

Approachable and methodical. The book breaks down the building blocks of music literacy (note names, rhythm values, rests, time signatures) into digestible lessons without condescension. Each page feels like an invitation to understand how music works, not a test.

Who it's for

Early elementary piano students (typically ages 6-8) working through Level 1B of the Premier Piano Course. Teachers in Canada, the UK, Australia, and other Commonwealth nations will find the British terminology essential for alignment with local conservatory syllabi and student expectations.

How to get the most out of it

  • Use this book alongside the corresponding Lesson Book 1B to reinforce new concepts immediately after introduction; don't wait weeks to revisit theory.
  • Have students write out rhythm patterns using the British terms (crotchet, quaver, etc.) aloud as they work, building verbal familiarity with the vocabulary they'll encounter in conservatory exams.
  • Keep theory work to short sessions (10-15 minutes) rather than lengthy drills; early elementary students retain notation concepts better through frequent, brief engagement.
  • Encourage students to create their own short melodies using the note values and rhythmic patterns they've studied, moving from passive recognition to active composition.

How to use it

Work through this systematically during private lessons, completing one or two pages per week alongside the Lesson Book 1B material. The theory reinforcement supports students preparing for local music exams or festival assessments that use British terminology and notation standards.

Skills your students will build

  • Reading and writing note names on the treble clef staff
  • Recognizing British rhythmic values (crotchet, quaver, semiquaver, etc.) and their rest equivalents
  • Understanding time signatures and basic meter
  • Identifying intervals and scale patterns
  • Notating simple melodies from dictation or memory

You May Also Like